ARCHITECTURAL FEATURES WITHIN AUREL STROE’S “ARCADES’
Keywords:
music, architecture, arcades, Aurel Stroe, structural conception, Klangfarben, modal language, musical aestheticsAbstract
Within the following study, we will make an attempt to present certain aspects regarding the interdisciplinary facets of Aurel Stroe’s work, Arcades. The analysis will bare in mind multiple levels of connections between the architecture and the music; the matters that concern the composer’s own aesthetic views, including an architectural approach towards the general structure of the work, as well as the significance of the special configuration of the orchestra and other musical methods used for conveying an architectural element into a sonorous edifice.
References
Angi, Ştefan, Prelegeri de estetică muzicală (Lectures on Musical Aesthetics), Editura Universităţii din Oradea, 2004
Georgescu, Corneliu Dan, Canto II by Aurel Stroe, in: Muzica (Music) magazine, Bucharest, issue no. 11/1972
Rîpă, Constantin, Teoria superioară a muzicii (Superior Music Theory), vol I., Ed. MediaMusica, Cluj-Napoca, 2001
Sandu-Dediu, Valentina, Muzica românescă între 1944-2000 (Romanian Music between 1944 and 2000), Editura Muzicală, Bucureşti, 2002
Stroe, Aurel, Arcade (Arcades), Editura Muzicală, Bucureşti, 1965
Şurianu, Horia, Aurel Stroe I, in: Muzica (Music) magazine, Bucharest, issue no. 1/2002
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