Volume 70, Special Issue 1, July 2025

Articles

• STYLISTIC-INTERPRETATIVE ASPECTS IN THE MUSICAL REPERTOIRE SPECIFIC TO BAROQUE VOCAL SINGING

  Viorica DAUD, Ignác Csaba FILIP

  9-26

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• INNOVATIVE PROCESSES IN 20TH-CENTURY MUSIC: FROM THE AVANT-GARDE TO THE DIGITIZATION OF MUSIC

  Oksana KOMAROVSKA, Oleg KOLUBAYEV, Tetiana IVANIUKHA, Iryna ANTONYUK, Andrii YEROMENKO

  27-42

  • pdf

• THE VIOLIN MINIATURE ON THE BORDER OF THE 20TH-21ST CENTURIES: ON THE PROBLEM OF CYCLIZATION

  Oksana ALEKSANDROVA, Alla MELNYK

  43-61

  • pdf

• INTERTEXTUAL DIALOGUE IN PARERGON ZUR SYMPHONIA DOMESTICA BY RICHARD STRAUSS. REFLECTIONS ON 100 YEARS OF MUSICAL HERITAGE

  Linda IANCHIȘ

  63-76

  • pdf

• NATIONAL AND MODERN IN THE MUSIC OF SERBIAN COMPOSERS FROM THE FIRST HALF OF THE 20th CENTURY

  Virđinia TOTAN, Petruța-Maria COROIU

  77-89

  • pdf

• STRUCTURAL ELEMENTS AND STYLISTIC ASPECTS IN THE THIRD SYMPHONY “SEMNE” BY CORNEL ȚĂRANU

  Cristian BENCE-MUK

  91-111

  • pdf

• INTERFERENCES BETWEEN TRADITION AND MODERNITY IN THE SYMPHONIC AND CONCERTO WORKS BY ADRIAN POP – (3) SOLSTICE FOR ORCHESTRA

  Paula MLADIN

  113-139

  • pdf

• CURRENT WAYS OF MELODICAL IMPROVISATION, REVOLUTIONARY JAZZ THINKING IN THE XXI ST CENTURY

  Florin BĂLAN

  141-167

  • pdf

• SCORES OF A FOLKSONG: FROM COLLECTION TO MUSIC TEXTBOOKS

  Ildikó PINTÉR-KERESZTES

  169-183

  • pdf

• THE ROLE OF MUSICAL CONSTRUCTION IN APPROACHING AND RENDERING OF OP. 52 LIEBESLIEDER-WALZER BY JOHANNES BRAHMS

  Ciprian PARA

  185-194

  • pdf

• THE HERMENEUTIC STUDY OF THE MUSICAL AND POETIC TEXTS IN THE VOCAL MUSIC BY E. CHAUSSON

  Nataliya GOVORUKHINA, Tetiana ZHARKIKH, Alona MILANINA

  195-215

  • pdf

• TRADITION AND INNOVATION IN WORKS DEDICATED TO THE STRING QUARTET BY GIACOMO PUCCINI

  Raluca IRIMIA

  217-229

  • pdf

• ADAPTATION AND TRANSFORMATION OF MEXICAN VERNACULAR ELEMENTS IN ART MUSIC: A CASE STUDY OF MANUEL PONCE’S SONATA FOR VIOLIN AND PIANO

  Maria-Magdalena SUCIU, Botond SZŐCS, Stela DRĂGULIN

  231-251

  • pdf

• OVERTURE “SHÉHÉRAZADE” BY MAURICE RAVEL: GENRE AND SEMANTIC PROJECTIONS

  Valeriya ZHARKOVA, Oleksandr ZHARKOV, Ganna RIZAIEVA

  253-262

  • pdf

• “THEME OF THE STAR AND THE CROSS” – CHRISTIAN SYMBOLS IN OLIVIER MESSIAEN’S “VINGT REGARDS SUR L’ENFANT-JESUS”

  Raluca RAD

  263-281

  • pdf

• BRAZILIAN SAMBA IN THE GUITAR MUSIC OF RADAMÉS GNATTALI

  Tetiana FILATOVA

  283-296

  • pdf

• EXPLORING MALAY ART SONG: A MUSICAL AND TEXTUAL STUDY OF KORBAN TANAH AIR BY YUSRAN YUSOFF

  Khairunnisa Diyana MD NOOR, Marzelan SALLEH

  297-307

  • pdf

• THE WAR TOPOS IN IVAN NEBESNYI’S WORKS (ON THE EXAMPLE OF “MESSAGE FROM UKRAINE” AND “…WHILE RECALLING…”)

  Olena YAKYMCHUK, Olena RIEZNIK

  309-321

  • pdf