Volume 53, No. 2, December 2008

Articles

• CHAOS AND MUSIC

  Oana ANDREICA

  3-16

  • pdf

• ENESCU UNDISCOVERED ”JUBILEE HYMN FOR CHOIR, MILITARY ORCHESTRA AND HARP*”

  Nicolae GHEORGHIŢĂ

  17-28

  • pdf

• THE SYMPHONY IN THE TRANSYLVANIAN COMPOSITION SCHOOL DURING THE SECOND HALF OF THE 20th CENTURY

  Mirela MERCEAN–ŢÂRC

  29-48

  • pdf

• 19ᵀᴴ CENTURY FRENCH ORGAN MUSIC

  Bognár NOÉMI

  49-60

  • pdf

• A BRIEF HISTORY OF THE NOTIONS ”CONSONANCE” AND “DISSONANCE”

  Lucia Cristina MĂNIUŢ

  61-66

  • pdf

• ÜBER DIE INTERPRETATION DES ORGEL ZYKLUS „LES CORPS GLORIEUX" VON OLIVIER MESSIAEN

  Erzsébet WINDHAGER-GERÉD

  67-84

  • pdf

• FUNERAL SONGS

  Éva PÉTER

  85-99

  • pdf

• – GOD’S LOVE FOR HUMANITY – IN MUSIC

  Petruţa–Maria MĂNIUŢ

  101-108

  • pdf

• TUNES OF THE TRADITIONAL CHRISTMAS CAROLS IN THE NORTHERN PART OF MEZŐSÉG (CÂMPIA TRANSILVANIEI)

  Zoltán GERGELY

  109-128

  • pdf

• EDE TERÉNYI: “TRIBUTE FOR MOZART” (2004) - CONCERT FOR VIOLIN AND ORCHESTRA (CHORD – PERCUSSION)

  Ecaterina BANCIU

  129-142

  • pdf

• EDE TERÉNYI – THE MONO-OPERA “LA DIVINA COMMEDIA” – CONTENTS AND FORMS (I. PART – “INFERNO”)

  Gabriela COCA

  143-168

  • pdf

• THE VISION OF THE APOCALYPSE IN “DIE GOTTESTROMPETEN” BY EDUARD TERÉNYI

  Anamaria Mădălina HOTORAN

  169-186

  • pdf

• LIGETI’S “STRING QUARTET No.1”; STYLISTIC INCONGRUENCE?

  Bianca ŢIPLEA TEMEŞ

  187-203

  • pdf

• PARADIGMS OF THE TEXT–MUSIC CORRELATION IN HENRY PURCELL’S OPERA “DIDO AND AENEAS”

  Adél FEKETE

  205-222

  • pdf

• GIUSEPPE VERDI: “IL TROVATORE”

  Júlia KÖPECZI KIRKOSA

  223-232

  • pdf