Volume 70, No. 1, June 2025

Anniversaries

On the 100th Anniversary of the Birth of András Benkő – Church Music Research –

Éva PÉTER

9-24
- pdf

Interviews & Musical Chronicles

Challenges, Trends and Interdisciplinary Perspectives in Musicology: An Interview with Francesco Finocchiaro

Cristina Eleonora PASCU

25-36
- pdf
Interview with Maestro Renato Bruson, Conducted During the Masterclass in Parma (October 25-28, 2024)

Sergiu GARABAJII

37-50
- pdf

Articles

Sound Hypostases of the Prayer of the Heart

Mirela MERCEAN-ȚÂRC

51-70
- pdf
The Prosomia of the Eight Modes According to Dimitrie Cunțanu

Daniel MOCANU

71-97
- pdf
A Framework for the Comparative Analysis of Music Theory Textbooks

Ádám MIKE

99-113
- pdf
The Possibilities of Utilizing Social Media and Online Platforms in Music Education

Fanni PAPES-VALACH, Andrea ASZTALOS

115-126
- pdf
Exploring Learning and Unlearning (II): Effective Study Methods for the Individual Practice of Professional Singers

Cristina RADU

127-147
- pdf
Musical-Artistic Events of Young Students as a Factor in Strengthening Intra-community Partnerships

Diana Elena SÂRB, Loredana MUNTEAN

149-162
- pdf
Considerations Regarding Vocal Technique and Style in Various Treatises from the 17th Century

Noémi KARÁCSONY, Mădălina Dana RUCSANDA

163-178
- pdf
Performance Transcription as a Variety of Musical Interpretation: An Example of Johann Sebastian Bach’s Prelude and Fugue in C Minor BWV 549 Arranged for Button Accordion

Kateryna CHEREVKO, Oksana PYSMENNA

179-199
- pdf
Harpsichord or Piano? Development of Bach’s “Italian Concerto” BWV 971 Performance in Modern Musical Practice

Diana ICHIM, Stela DRĂGULIN

201-213
- pdf
“Adagietto” by Gustav Mahler in the Performance Practice of Chinese Conductors: Interpretative Aspects

Tymur IVANNIKOV, Yinuo GENG

215-225
- pdf
Renato Bruson: The Art of Singing, Authenticity and Discipline. Connections Between Opera and Chamber Music

Sergiu GARABAJII

227-238
- pdf
Cognitive, Emotional and Methodological Aspects of Musician-Performer’s Thinking

Vitalіi ZAIETS, Oksana ZAIETS, Oleksandr BENZIUK, Oleksandr LIHOTSKYI

239-248
- pdf
Infancy: Primordial Trust Versus Primordial Mistrust – Recommending Personalized Music During the Prenatal and Infant Stages of Development

Lajos KIRÁLY

249-260
- pdf
“Music Therapy Moments”. Personal Experiences on the Path to a Music Therapy Profession. Scientific opportunities

Magdolna SZABADI

261-271
- pdf
The Transfer of Information as a Principle of Musical Creation: Between Data and Meaning (I)

Sebastian ANDRONE-NAKANISHI

273-286
- pdf
Artificial Intelligence and Voice Modeling: Cutting-edge Technology in Music Production

Adrian BORZA

287-299
- pdf
Mixing Techniques: Between Technical Precision and Artistic Intent

Marc Alexandru TINT, Stela DRĂGULIN

301-311
- pdf
Acoustics and Musical Phenomenology: A Symbiosis Between Science and Conscious Perception

Iulian RUSU

313-324
- pdf

Full Issue

Anniversaries

On the 100th Anniversary of the Birth of András Benkő – Church Music Research –

Interviews & Musical Chronicles

Challenges, Trends and Interdisciplinary Perspectives in Musicology: An Interview with Francesco Finocchiaro

Interview with Maestro Renato Bruson, Conducted During the Masterclass in Parma (October 25-28, 2024)

Articles

Sound Hypostases of the Prayer of the Heart

The Prosomia of the Eight Modes According to Dimitrie Cunțanu

A Framework for the Comparative Analysis of Music Theory Textbooks

The Possibilities of Utilizing Social Media and Online Platforms in Music Education

Exploring Learning and Unlearning (II): Effective Study Methods for the Individual Practice of Professional Singers

Musical-Artistic Events of Young Students as a Factor in Strengthening Intra-community Partnerships

Considerations Regarding Vocal Technique and Style in Various Treatises from the 17th Century

Performance Transcription as a Variety of Musical Interpretation: An Example of Johann Sebastian Bach’s Prelude and Fugue in C Minor BWV 549 Arranged for Button Accordion

Harpsichord or Piano? Development of Bach’s “Italian Concerto” BWV 971 Performance in Modern Musical Practice

“Adagietto” by Gustav Mahler in the Performance Practice of Chinese Conductors: Interpretative Aspects

Renato Bruson: The Art of Singing, Authenticity and Discipline. Connections Between Opera and Chamber Music

Cognitive, Emotional and Methodological Aspects of Musician-Performer’s Thinking

Infancy: Primordial Trust Versus Primordial Mistrust – Recommending Personalized Music During the Prenatal and Infant Stages of Development

“Music Therapy Moments”. Personal Experiences on the Path to a Music Therapy Profession. Scientific opportunities

The Transfer of Information as a Principle of Musical Creation: Between Data and Meaning (I)

Artificial Intelligence and Voice Modeling: Cutting-edge Technology in Music Production

Mixing Techniques: Between Technical Precision and Artistic Intent

Acoustics and Musical Phenomenology: A Symbiosis Between Science and Conscious Perception

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