Volume 56, No. 2, December 2011

Articles

• COMPARATIVE STUDY BETWEEN MUSIC AND LANGUAGE

  Stela DRĂGULIN

  5-14

  • pdf

• 2011-12-30 SEMIOGRAPHIC ASPECTS IN ROMANIAN PIANISTIC WORKS OF THE 20ᵀᴴ CENTURY

  Nelida NEDELCUŢ

  15-27

  • pdf

• EDUARD HANSLICK: “THE BEAUTIFUL IN MUSIC” – AN AESTHETICS OF THE ABSOLUTE MUSIC

  Attila FODOR

  29-41

  • pdf

• CHOPIN INTERACTIVE

  Adrian BORZA

  43-50

  • pdf

• MUSIC THERAPY THROUGHOUT THE CENTURIES

  Adél FEKETE

  51-56

  • pdf

• THE CHRISTIAN RITE AND MUSIC THERAPY – TWO CONTEXTS FOR THE THERAPEUTICAL USE OF MUSIC

  ANCA SPĂTAR

  57-68

  • pdf

• PSALM SINGING IN TRANSYLVANIA

  Éva PÉTER

  69-78

  • pdf

• GEORGES ENESCO’S MUSICAL INFLUENCE ON THE FOLLOWING GENERATIONS – REALITY OR IDENTITY JUSTIFICATION?

  Luana STAN

  79-83

  • pdf

• YOUTH MUSICAL MOVEMENTS BETWEEN THE TWO WORLD WARS

  Villő PETHŐ

  85-108

  • pdf

• ROMANTIC CHARACTERISTICS REFLECTED IN THE WORKS OF FRYDERYK CHOPIN

  Ioana Luminiţa GOREA

  109-115

  • pdf

• DAS FRAGMENT EINES LISZTSCHEN SELBSPORTRÄTS – „FAUST“

  Miklós FEKETE

  117-141

  • pdf

• ELEMENTS OF THE MUSICAL DISCOURSE IN “MARCH” FOR SOLO CLARINET BY MARŢIAN NEGREA

  Şerban MARCU

  143-151

  • pdf

• ASPECTS OF THE WRITING IN LIVIU COMES' WORK “MĂGURI II”

  Ciprian Gabriel POP

  153-160

  • pdf

• „DER GOLDENE SARG“ – DIE OPER DES „DEBUSSYS DER THEIßGEGEND“ IM SPIEGEL IHRES TONSYSTEMS

  Mária ILLÉS

  161-187

  • pdf

• TODUŢĂ’S “ANTIQUES”

  Ecaterina BANCIU

  189-198

  • pdf

• “FANTASIA E FUGA SULLE PEDALE PER ORGANO” BY DAN VOICULESCU: A SYNTHESIS OF BAROQUE AND MODERN ELEMENTS

  Bianca ŢIPLEA TEMEŞ

  199-211

  • pdf

• THEODOR GRIGORIU’S ORATORIO “CANTI PER EUROPA”

  Lucian GHIŞA

  213-226

  • pdf

• ECHOES OF ENESCU: CORNEL ŢĂRANU’S “RIMEMBRANZA” FOR ORCHESTRA

  Ecaterina BANCIU, Gabriel BANCIU

  227-240

  • pdf

• GRAPHISM AND ORGANISATION IN « LES OISEAUX. CHACONNE POUR ORGUE. HOMMAGE À MESSIAEN » BY EDUARD TERÉNYI

  Anamaria Mădălina HOTORAN

  241-268

  • pdf

• “MEDITATIONS” FOR CLARINET SOLO BY VALENTIN TIMARU - MUSICAL ANALYSIS

  Cristian BENCE-MUK

  269-278

  • pdf

• STRUCTURAL ELEMENTS IN HANS PETER TÜRK'S “SUITE FOR CLARINET SOLO"

  Răzvan METEA

  279-286

  • pdf

• A PROFILE SKETCH IN THE MIRROR OF ONE WORK: „SINUS” FOR CLARINET SOLO BY CRISTIAN MISIEVICI

  Gabriela COCA

  287-304

  • pdf