Volume 62, No. 1, June 2017

Laudatio

Laudatio: A 70 ÉVES DR. KÖPECZI KIRKÓSA JÚLIA MŰVÉSZNŐ KÖSZÖNTÉSE [SALUTATIONS TO THE ARTIST DR. KIRKÓSA JÚLIA TURNING 70]

János MOLNÁR

7-12
- pdf

Articles

A TOUR AMONG THE MUSICIANS OF THE BIBLE - A STUDY DEDICATED TO DR. KIRKÓSA JÚLIA -

János MOLNÁR

13-24
- pdf
WERKSAUFLISTUNG DER KOLONICS ORGELN IN SIEBENBÜRGEN - TEIL 1 -

Erzsébet WINDHAGER-GERÉD

25-48
- pdf
KASTRATEN, DIE PRIMI UOMINI DER EUROPÄISCHEN OPERNBÜHNEN

Miklós FEKETE

49-62
- pdf
MESSAGES OF NASCENT PICTURES IN PROMISE OF A REMEMBRANCE. MUSIC EVOCATIONS FOR THE HERMENEUTICS OF DOBRIBÁN EMIL'S WORKS

István ANGI

63-76
- pdf
RAVEL ON (HIS) IMPRESSIONISM

Attila FODOR

77-82
- pdf
MUSIC AND SPACE

Alexandru-Ștefan MURARIU

83-94
- pdf
ELEMENTS OF CHRISTIAN SPIRITUALITY IN THE VOCAL MUSIC OF ROMANIAN COMPOSERS (SOLOISTS REPERTOIRE FOR SOPRANO, CHORAL AND SYMPHONIC VOCAL REPERTOIRE – THE SECOND HALF OF THE 20th CENTURY AND THE BEGINNING OF THE 21st CENTURY)

Petruţa-Maria COROIU, Maria PETCU-CATRINA

95-104
- pdf
CHAMBER MUSIC INITIATIVE IN CHORAL SINGING AND ENSEMBLE WORK IN ERASMUS IP COOPERATION

Noémi MACZELKA

105-110
- pdf
BEWEGLICHE KLAVIERSTUNDE. DIE INTEGRATION DER BEWEGUNG IN DEN KLAVIERUNTERRICHT

Dorottya MAROSVÁRI

111-134
- pdf
THE CONDUCTING TECHNIQUE - AN INSTRUMENT USED TO SOLVE THE ISSUE OF CONDUCTING CUTOFFS AND THE "UNA BATTUTA" TIME BEATING TECHNIQUE

Luminiţa GUŢANU STOIAN

135-142
- pdf
A VALUABLE FOLK MUSICIAN FROM FUNDU MOLDOVEI – THE SHEPHERD’S PIPE PLAYER LIVIU ŢARAN

Irina Zamfira DĂNILĂ

143-154
- pdf
THE ROMA MUSICIANS OF MAGYARPALATKA AS PRESERVERS OF TRADITIONS

Judit KOMPÁR-RŐMER

155-183
- pdf
VARIATION FORM IN MOZART’S PIANO WORKS

Boglárka Eszter OLÁH

185-202
- pdf
IV. PRAYERS OF FEMALE PROTAGONISTS IN GIUSEPPE VERDI’S OPERAS. GIOVANNA’S EVENING PRAYER FROM VERDI’S GIOVANNA D’ARCO (PROLOGUE, SCENE 2)

Adél FEKETE

203-217
- pdf
KONNOTATIONEN DES HEILIGEN IN DER ERÖFFNENDEN STURMSZENE VON GIUSEPPE VERDI’S OTELLO

Letiţia GOIA, Cornelia CUTEANU

219-232
- pdf
RICHARD STRAUSS’ FOREWORDS TO INTERMEZZO

Bence ASZTALOS

233-243
- pdf
ZOLTÁN GÁRDONYI’S CHAMBER MUSIC: A FANTASIA FOR VIOLIN AND ORGAN INSPIRED BY THE TUNE OF THE HYMN ENTITLED „AZ ÉN IDŐM, MINT A SZÉP NYÁR” (“MY TIME IS LIKE THE SHINY SUMMER”)

Gabriela COCA

245-258
- pdf
MARCEL DUPRÉ: LE CHEMIN DE LA CROIX OP. 29. AN ANALYSIS FROM THE PERFORMER’S POINT OF VIEW

Noémi MIKLÓS

259-268
- pdf
THE SYMBIOSIS BETWEEN MICROTONALITY AND SPRECHGESANG IN PSALM 124 BY ION COŢOFAN

Aurel MURARU

269-277
- pdf
ANALYTICAL VIEW ON THE LYRICAL ORATORIO CÂNTECE DE VREMUIRE (SONGS OF CHANGE) BY VALENTIN TIMARU

Emanuela-Fabiola PRIP

279-288
- pdf

Full Issue

Laudatio

Laudatio: A 70 ÉVES DR. KÖPECZI KIRKÓSA JÚLIA MŰVÉSZNŐ KÖSZÖNTÉSE [SALUTATIONS TO THE ARTIST DR. KIRKÓSA JÚLIA TURNING 70]

Articles

A TOUR AMONG THE MUSICIANS OF THE BIBLE - A STUDY DEDICATED TO DR. KIRKÓSA JÚLIA -

WERKSAUFLISTUNG DER KOLONICS ORGELN IN SIEBENBÜRGEN - TEIL 1 -

KASTRATEN, DIE PRIMI UOMINI DER EUROPÄISCHEN OPERNBÜHNEN

MESSAGES OF NASCENT PICTURES IN PROMISE OF A REMEMBRANCE. MUSIC EVOCATIONS FOR THE HERMENEUTICS OF DOBRIBÁN EMIL'S WORKS

RAVEL ON (HIS) IMPRESSIONISM

MUSIC AND SPACE

ELEMENTS OF CHRISTIAN SPIRITUALITY IN THE VOCAL MUSIC OF ROMANIAN COMPOSERS (SOLOISTS REPERTOIRE FOR SOPRANO, CHORAL AND SYMPHONIC VOCAL REPERTOIRE – THE SECOND HALF OF THE 20th CENTURY AND THE BEGINNING OF THE 21st CENTURY)

CHAMBER MUSIC INITIATIVE IN CHORAL SINGING AND ENSEMBLE WORK IN ERASMUS IP COOPERATION

BEWEGLICHE KLAVIERSTUNDE. DIE INTEGRATION DER BEWEGUNG IN DEN KLAVIERUNTERRICHT

THE CONDUCTING TECHNIQUE - AN INSTRUMENT USED TO SOLVE THE ISSUE OF CONDUCTING CUTOFFS AND THE "UNA BATTUTA" TIME BEATING TECHNIQUE

A VALUABLE FOLK MUSICIAN FROM FUNDU MOLDOVEI – THE SHEPHERD’S PIPE PLAYER LIVIU ŢARAN

THE ROMA MUSICIANS OF MAGYARPALATKA AS PRESERVERS OF TRADITIONS

VARIATION FORM IN MOZART’S PIANO WORKS

IV. PRAYERS OF FEMALE PROTAGONISTS IN GIUSEPPE VERDI’S OPERAS. GIOVANNA’S EVENING PRAYER FROM VERDI’S GIOVANNA D’ARCO (PROLOGUE, SCENE 2)

KONNOTATIONEN DES HEILIGEN IN DER ERÖFFNENDEN STURMSZENE VON GIUSEPPE VERDI’S OTELLO

RICHARD STRAUSS’ FOREWORDS TO INTERMEZZO

ZOLTÁN GÁRDONYI’S CHAMBER MUSIC: A FANTASIA FOR VIOLIN AND ORGAN INSPIRED BY THE TUNE OF THE HYMN ENTITLED „AZ ÉN IDŐM, MINT A SZÉP NYÁR” (“MY TIME IS LIKE THE SHINY SUMMER”)

MARCEL DUPRÉ: LE CHEMIN DE LA CROIX OP. 29. AN ANALYSIS FROM THE PERFORMER’S POINT OF VIEW

THE SYMBIOSIS BETWEEN MICROTONALITY AND SPRECHGESANG IN PSALM 124 BY ION COŢOFAN

ANALYTICAL VIEW ON THE LYRICAL ORATORIO CÂNTECE DE VREMUIRE (SONGS OF CHANGE) BY VALENTIN TIMARU

Book Reviews

Book Review: VALENTIN TIMARU - ON MUSIC AND BEAUTY IN ESSAYISTIC STYLE

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