Volume 54, No. 1, June 2009

Articles

• THE RHETORIC OF BARTÓK’S MELODIC WORLD

  István ANGI

  3-7

  • pdf

• THE THEME OF THE ENDLESS COLUMN IN THE WORKS OF CONSTANTIN BRÂNCUŞI AND TIBERIU OLÁH

  Adél FEKETE

  9-21

  • pdf

• THE ROLE OF THE POPULAR TRADITION IN THE DEVELOPMENT OF MELODIES WITHIN THE SONGS OF TRANSYLVANIAN REFORMED COMMUNITIES

  Éva PÉTER

  23-37

  • pdf

• THE BYZANTINE CHANT IN THE ROMANIAN PRINCIPALITIES DURING THE PHANARIOT PERIOD (1711 – 1821)

  Nicolae GHEORGHIŢĂ

  39-82

  • pdf

• THE MUSIC OF FULFILLED LOVES IN THE BAROQUE AND CLASSICAL ART

  Petruţa-Maria MĂNIUŢ

  83-87

  • pdf

• THE INTERPRETATIVE ANALYSIS OF THE SPIRITUS DOMINI INTROIT

  András VÁNYOLOS

  89-98

  • pdf

• ZEITLICHE UND REGIONALE UNTERSCHIEDE IN DER VERBREITUNG DES NEUEN STILS DER UNGARISCHEN VOLKSMUSIK IN SIEBENBÜRGEN

  István ALMÁSI

  99-105

  • pdf

• CELEBRATING CHRISTMAS IN BOZIEŞ (MAGYARBORZÁS) AND VIŢA (VICE)

  Zoltán GERGELY

  107-121

  • pdf

• IAC: AN INTERACTIVE MUSIC SYSTEM

  Adrian BORZA

  123-128

  • pdf

• CINEMA MUSIC IN THE SILENT MOVIE ERA

  Aaron FAZAKAS

  129-154

  • pdf

• TEACHING SPIRITUAL MUSIC AND THE ROLE OF CHORAL ACTIVITY IN RELIGIOUS EDUCATION

  Árpád SZÉKELY

  155-159

  • pdf

• THE HERZLICH TUT MICH VERLANGEN CHORALE WITHIN DIFFERENT ORGAN ARRANGEMENTS IN BUXTEHUDE AND BACH’S WORKS

  Csilla SÓGOR

  161-180

  • pdf

• SOME ASPECTS OF VERTICAL TYPOLOGIES IN THE LAST STRING QUARTET OF W. A. MOZART, KV 590, F MAJOR

  Attila FODOR

  181-194

  • pdf

• GIUSEPPE VERDI’S MACBETH – PART I

  Júlia KÖPECZI KIRKÓSA

  195-205

  • pdf

• CHARLES MARIE WIDOR’S GOTHIQUE AND ROMANE SYMPHONIES – THE SPIRITUAL STATEMENTS OF A GRAND COMPOSER

  Noémi BOGNÁR MIKLÓS

  207-217

  • pdf

• GYÖRGY LIGETI’S SECOND STRING QUARTET: BIOGRAPHICAL INFLUENCES AND NEW TECHNIQUES

  Tudor FERARU

  219-230

  • pdf

• LINÉARITÉ ROMPUE DANS L’OPÉRA «SABLIER» DERNIERS JOURS, DERNIÈRES HEURES D’ANATOL VIERU

  Luana STAN

  231-242

  • pdf

• PSALM BY THE RIVERS OF BABYLON AS PART OF SIGISMUND TODUŢĂ'S CHORAL OUTPUT

  Stelian IONAȘCU

  243-256

  • pdf

• EDE TERÉNYI – MONO-OPERA “LA DIVINA COMMEDIA” FORM AND CONTENTS (II. PART – “PURGATORIO”)

  Gabriela COCA

  257-278

  • pdf

• EDUARD TERÉNYI’S STABAT MATER

  Anamaria Mădălina HOTORAN

  279-296

  • pdf