THE EXPRESSIVE POWER OF THE HARMONIC PARAMETER AND OF THE FORM IN THE CYCLE OF LIEDS DIE SCHÖNE MÜLLERIN BY FRANZ SCHUBERT

Authors

  • Gabriela COCA Department of Music, Faculty of Reformed Theology and Music, Babeș-Bolyai University, Cluj-Napoca, Romania. Email: gabriela.coca.66@gmail.com; gabriela.coca@ubbcluj.ro https://orcid.org/0000-0002-9103-186X

Keywords:

Franz Schubert, Die schöne Müllerin, analyse, harmonic parameter, form, tonality, ethos

Abstract

The purpose of this paper consists in the analyze of the unifying correspondences of structural, artistic, and musical content of the cycle of Lied Die Schöne Müllerin by Franz Schubert. The entire cycle of Lieds represents a unified whole, in which the Lieder which make up the cycle are combined in the form of chain although their shape, their tonal ethos, and their significance are different or even contrary. On the basis of this cycle of Lieds I tried to discover the effect of the internal energy forces, on a homogeneous structure, in the sensible world of Schubert’s musical creation.

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Published

2013-06-30

How to Cite

COCA, G. (2013). THE EXPRESSIVE POWER OF THE HARMONIC PARAMETER AND OF THE FORM IN THE CYCLE OF LIEDS DIE SCHÖNE MÜLLERIN BY FRANZ SCHUBERT. Studia Universitatis Babeș-Bolyai Musica, 58(1), 173–185. Retrieved from https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8881

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