Volume 71, Special Issue 2, August 2026

Articles

• THEORETICAL CONSIDERATIONS ON TECHNIQUE AND EXPRESSIVITY IN THE FOUR-VOICE MASSES OF CLAUDIO MONTEVERDI

  Apolka FÁBIÁN

  7-21

  • pdf

• ACADEMIC JAZZ IN THE POSTMODERN ERA: NU-JAZZ IN CONTEMPORARY COMPOSITIONAL PRACTICE

  Teodor AMARANDEI

  23-34

  • pdf

• FUGUE FORM AND JAZZ MUSIC. CITATIONS, CONTEMPORARY PERSPECTIVES, AND REINTERPRETATIONS

  Gabriela VLAHOPOL

  35-45

  • pdf

• THE PIANO AS A STRUCTURAL AND EXPRESSIVE AGENT IN BÉLA BARTÓK’S MUSICAL LANGUAGE

  Ligia Claudia ŞUTEU

  47-59

  • pdf

• BALINESE MUSIC: FROM SHEER EXOTICISM TO ESSENTIAL INSTRUMENT OF DRAMATIC AND ARTISTIC REFLECTION IN THE WORKS OF BENJAMIN BRITTEN

  Mădălina Dana RUCSANDA, Noémi KARÁCSONY, Andrei Cătălin GHERMAN

  61-77

  • pdf

• LUCIA RONCHETTI’S RIVALE AS AN EXAMPLE OF GÉRARD GENETTE’S HYPERTEXTUALITY PRACTICE

  Laurenţiu BELDEAN, Ciprian ŢUŢU

  79-90

  • pdf

• SAXOPHONE, THE NEW ARTISTIC MINDSET IN MÉTA DUO CONTEXT

  Bogdan CONSTANTIN, Lioara POPA

  91-102

  • pdf

• INNER EMIGRATION IN LIGETI GYÖRGY’S MUSICA RICERCATA

  Boglárka Eszter OLÁH

  103-113

  • pdf

• ETA BOERIU BETWEEN THE MUSIC OF POETRY AND POETRY OF MUSIC. TRANSLATION, INTERMEDIALITY, AND MELOPHRASIS

  Cristina Eleonora PASCU

  115-124

  • pdf

• STYLISTIC STAGES IN THE QUARTET GENRE OF THE COMPOSERS FROM CLUJ-NAPOCA. PART 1

  Mirela MERCEAN-ȚÂRC

  125-137

  • pdf

• L. VAN BEETHOVEN – PIANO SONATA OP. 110 (I): FORMAL, RHETORICAL, AND SEMANTIC ANALYSIS

  Adriana PALER, Petruta-Maria COROIU

  139-155

  • pdf

• A DETACHED EXPRESSION: THE FINALE OF CHOPIN’S THIRD SONATA

  Zhichao ZHOU, Fung Chiat LOO, Joanne YEOH

  157-174

  • pdf

• SALVE REGINA – DEVOTION AND REFINEMENT IN THE MUSIC OF FRANZ LISZT

  Réka-Ildikó BABES-ARDAI

  175-188

  • pdf

• BÉLA BARTÓK: SONATA FOR SOLO VIOLIN

  Előd GÁBOR

  189-210

  • pdf

• BETWEEN ROMANTICISM AND FOLKLORE: ANALYSIS OF AMY BEACH’S VARIATIONS ON BALKAN THEMES, OP. 60

  Anca PREDA-ULIȚĂ, Sabin BĂNESCU

  211-218

  • pdf

• EXPRESSIVE AND STRUCTURAL INTERACTIONS BETWEEN TEXT AND MUSIC IN PAUL RICHTER’S SECHS LIEDER NACH CHINESISCHEN TEXTEN FÜR EINE FRAUENSTIMME UND ORCHESTER (SIX LIEDER ON CHINESE TEXTS), OP. 95: A HERMENEUTIC APPROACH

  Gina-Mihaela PAVEL

  219-249

  • pdf

• THE PROCESS OF CONSTRUCTION AND REDUCTION IN KAREL GOEYVAERTS’ FIVE LITANIES

  Alexandra BELIBOU

  251-265

  • pdf

• THE HARMONY BETWEEN RELIGIOUS AFFECTION AND FESTIVE GRANDEUR IN LUCIANO SIMONI'S MISSA SOLEMNIS

  Romeo RÎMBU

  267-283

  • pdf