Volume 70, No. 2, December 2025

Articles

• WHAT KIND OF SONG IS POURING OUT FROM THE CLASSROOMS. PART 1: WARM UP IN THE CLASSROOM

  Ildikó Ferencziné ÁCS

  9-34

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• MUSIC EDUCATIONAL PRACTICE AT SCHOOL AS A SPACE FOR DEVELOPING STUDENTS’ CREATIVE SELF-EXPRESSION AND CREATIVE ABILITIES

  Iryna HRYNCHUK, Natalya OVOD, Lina ILCHUK, Pavlo YALOVSKYI, Ludmyla KONDRATSKA

  35-56

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• STUDENT TYPOLOGIES IN MUSIC TEACHER EDUCATION

  Rita KEREKES

  57-70

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• MODERN VOCAL TECHNIQUES AS A TOOL FOR IMPROVING VOCAL AND VOCAL ENSEMBLE SKILLS OF ART EDUCATION STUDENTS

  Yana KYRYLENKO, Yuliia MEREZHKO, Oksana PETRYKOVA, Olha PROTSYSHYNA, Yevheniia PROVOROVA

  71-93

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• INDIVIDUAL TRAJECTORY OF FORMING A PIANIST’S PERFORMANCE STYLE IN THE CONTEXT OF PERSONALISED LEARNING IN A HIGHER ARTS INSTITUTION

  Olha LIASHENKO, Yevhen KURYSHEV, Lyudmyla HARKUSHA, Tetiana BUTENKO, Valentyn KASIANOV

  95-114

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• DEVELOPING INSTRUMENTALISTS’ INTERPRETIVE FREEDOM THROUGH PEDAGOGICAL SUPPORT IN THEIR PROFESSIONAL STUDIES

  Marharyta MALAKHOVA, Stanislav HUMINIUK, Oksana RYNDENKO, Mariia PUKHLIANKO, Anton KUSHNIR

  115-137

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• INTEGRATING MUSIC ITEMS IN GIFTED SCREENING TEST: VALIDATION STRATEGIES IN MALAYSIA

  Md Jais ISMAIL, Mohd Rohaizad MOHD RADUAN, Rafidah SAHARUDIN, Kamarolzaman ABDUL RAHMAN, Sharifah Hanizah SYED JAAFAR

  139-162

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• BREAKING BARRIERS IN MUSIC: DIVERSITY, INCLUSION, AND SPECIAL EDUCATIONAL NEEDS

  Diana Elena SÂRB, Yiannis MIRALIS

  163-176

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• TRANSFERABILITY IN MUSIC EDUCATION: FROM PRACTICE ROUTINES TO PERFORMANCE-BASED LEARNING AND EVALUATION ACROSS DISCIPLINES

  Anca SIMION

  177-194

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• TRAINING FUTURE TEACHERS OF MUSIC AND OF THE INTEGRATED COURSE “ART” TO CREATE ORIGINAL EDUCATIONAL MEDIA PRODUCTS

  Kateryna YURYEVA Kateryna YURYEVA, Alla SOKOLOVA, Maryna TKACHENKO, Iryna PARFENTIEVA, Tetiana IEVTUKHOVA

  195-226

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• OBSERVATIONS ON THE CONCEPT OF THE SOUND PLANE AND THE DEVELOPMENT OF THE OVERALL MUSICAL STRUCTURE

  Ciprian PARA

  227-240

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• MEDIA REPRESENTATION IN CONTEMPORARY ACADEMIC PIANO PERFORMANCE: ALEXANDRE THARAUD’S PHENOMENON

  Маrianna CHERNYAVSKA, Svitlana ANFILOVA, Yakіv VOSKOBOINIKOV

  241-263

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• SELF-EXPLORATION AND ARTISTIC EXPRESSION: REFLECTIVE JOURNALING IN MALAY ART SONG: ‘ENIGMA HATI’ BY MARZELAN SALLEH

  Khairunnisa Diyana MD NOOR, Marzelan SALLEH

  265-281

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• PERFORMANCE PRACTICES OF TRANSYLVANIAN LATIN IN ECCLESIASTICAL MUSIC

  Mihaela BUHAICIUC, László-Levente SZABÓ-SIKLÓDI

  283-298

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• GREGORIAN CHANT IN THE PRACTICE OF THE SAXON UNITARIANS IN TRANSYLVANIA. PART 1

  Anette PAPP

  299-313

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• THE ACOUSTICS OF ORTHODOX CHURCHES BETWEEN BYZANTINE TRADITION, LITURGICAL EXPERIENCE AND MUSICAL CHALLENGE

  Daniel MOCANU

  315-334

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• COMPARISON OF THE EVOLUTION AND RECONCEPTION OF THE ROMANTIC BAGATELLE GENRE IN THE PIANO WORKS OF B. SMETANA AND C. SAINT-SAËNS

  Yulia FURDUY, Ihor HUTNIK

  335-346

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• PERSPECTIVES REGARDING THE QUARTET IN THE WORKS OF GIUSEPPE VERDI

  Raluca IRIMIA

  347-362

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• AN ANALYSIS OF THE GENRE, STYLE, AND INTERPRETATIVE ASPECTS OF FRANCIS POULENC'S PIANO SONATA FOR FOUR HANDS

  Valentin MUREȘAN

  363-374

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• ASTOR PIAZZOLLA’S “TANGO SUITE” FOR TWO GUITARS: GENRE AND STYLE ASPECTS

  Tetiana FILATOVA

  375-389

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• THE IMAGE OF JOAN OF ARC IN THE ORATORIO BY A. HONEGGER «JOAN OF ARC AT THE STAKE»

  Xu XINGZHOU, Baixue MA, Jingtao ZHAO

  391-403

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• VALENTYN SILVESTROV’S STRING QUARTETS WITHIN THE DYNAMICS OF GENRE TRADITION: FROM MODERNISM TO METAMUSIC

  Maryna VARAKUTA, Daryna KUPINA, Maryna VOTINTSEVA

  405-420

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• “TO VICTORY” FOR VOCAL SEXTET AND SYMPHONY ORCHESTRA BY OLENA ILNYTSKA: MYTHOPOETICS OF THE WORK

  Olena YAKYMCHUK

  421-432

  • pdf