NEW TRENDS IN MODERN MUSICOLOGY. A DISCUSSION WITH PROFESSOR NICHOLAS COOK

Authors

  • Bianca ŢIPLEA TEMEŞ Gh. Dima Music Academy, 25, Ion I.C. Brătianu Street, Cluj-Napoca Music Program Manager „Transilvania” Cluj State Philharmonic, 1-3, Piaţa Lucian Blaga. E-mail: filarmonica_cluj_bianca@filacluj.ro https://orcid.org/0000-0003-1749-1769

Keywords:

Musicology, performance, research, collaborative projects, multidisciplinarity, Ludomusicology, University of Cambridge

Abstract

Is musicology nowadays a genuine Terra Nova or just a collection of scientific relics? Might it be considered adequately equipped to extend its interdisciplinary boundaries and embrace the reality of new music, or does it still cling to the past? Should researchers follow the Schenkerian route or conquer new territories? Are we still mistaking the score with the music itself? Do we still ignore performance as an object of study? Can we shake the habit of focusing mainly on Western musical traditions? Could all these things coexist and if so, are we able to adapt our musicological tools to their requirements? To all these and various other questions Professor Nicholas Cook from the University of Cambridge will provide some clues and invite us to reflect further, tracing and examining the new trends in modern musicology. 

References

Bräuninger, Jürgen, 'Gumboots to the Rescue', in: South African Journal of Musicology, No. 18 (1998).

Clark, Eric and Cook, Nicholas (eds.), Empirical Musicology. Aims, Methods, Prospects, Oxford University Press, New York, 2004.

Cook, Nicholas, A Guide to Musical Analysis, Dent, London, 1987.

Cook, Nicholas, Analysing Musical Multimedia, Clarendon Press, Oxford, 1998.

Cook, Nicholas, 'Analysing Performance, Performing Analysis', in: Rethinking Music, edited by Nicholas Cook & Mark Everist, Oxford University Press, New York, 1999.

Cook, Nicholas, Analysis through Composition: Principles of the Classical Style, Oxford University Press, 1996.

Cook, Nicholas, Beethoven: Symphony No. 9, Cambridge University Press, 1993.

Cook, Nicholas, Musical Analysis and the Listener, Garland, New York, 1989.

Cook, Nicholas, Music. A Very Short Introduction, Oxford University Press, Oxford, 1998.

Cook, Nicholas, Music, Imagination, and Culture, Clarendon Press, Oxford, 1990.

Cook, Nicholas, Music, Performance, Meaning: Selected Essays, Ashgate, Aldershot, 2007.

Cook, Nicholas,The Schenker Project: Culture, Race, and Music Theory in Fin-de-siècle Vienna, Oxford University Press, New York, 2007.

Cook, Nicholas, 'Video Cultures: “Bohemian Rhapsody”, “Wayne's World” and Beyond', in: Representation in Western Music, edited by Joshua Walden, Cambridge University Press, Cambridge (forthcoming).

Cook, Nicholas, 'We are All (Ethno) musicologists Now', in: The New (Ethno)musicologies, Henry Stobart (ed), 2008.

Cook, Nicholas and Everist, Mark (eds.), Rethinking Music, Oxford University Press, Oxford, 1999.

Goehr, Lydia, The imaginary Museum of Musical Work: An Essay in the Philosophy of Music, Oxford University Press, New York, 2007.

Howell, Tim, 'Analysis and Performance: The Search for a Middleground', in: Companion to Contemporary Musical Thought, edited by John Paynter, Tim Howell, Richard Orton and Peter Seymour, Routledge, London, 1992.

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Published

2012-06-30

How to Cite

ŢIPLEA TEMEŞ, B. (2012). NEW TRENDS IN MODERN MUSICOLOGY. A DISCUSSION WITH PROFESSOR NICHOLAS COOK. Studia Universitatis Babeș-Bolyai Musica, 57(1), 5–21. Retrieved from https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8842

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