Volume 69, No. 2, December 2024

Volume 69, No. 2, December 2024, ISSUE DOI: 10.24193/subbmusica.2024.2

DOI: https://doi.org/10.24193/subbmusica.2024.2

Published: 2024-12-11

Full Issue

Interviews & Musical Chronicles

Creativity and Censorship in Music: ‘Like the Danube Carving Through a Mountain, It Produces Wonders’ – A Dialogue With Adrian Pop

Cristina Eleonora PASCU

9-20
- pdf

Articles

Developing Children’s Melodic and Rhythmic Skills With Playful Tasks in Classroom Music Lessons

Andrea ASZTALOS

21-33
- pdf
The Role of Pedagogical Mentoring in Building Professional Competencies of Future Music Teachers

Lina ILCHUK, Inna RATYNSKA, Halyna SHVYDKIV, Mykola SHVYDKIV, Alla LISOVA

35-50
- pdf
William Shakespeare’s Legacy in Vocal Pedagogy: Revolutionizing the Art of Singing Through Breathing Techniques

Anca SIMILAR

51-60
- pdf
The Use of Virtual Platforms in Teaching Bass Guitar

Alexandr VITIUC

61-78
- pdf
Aesthetics and Philosophy of the Performance Interpretation of the Author's Concept of a Musical Work

Vіtalіi ZAIETS, Oksana ZAIETS

79-88
- pdf
Enescian Pianism and Interpretative Style in Chamber Music Works: Impromptu Concertant for Violin and Piano, Concertstück for Viola and Piano, Légende for Trumpet and Piano and Cantabile et Presto for Flute and Piano

Gina-Mihaela PAVEL

89-108
- pdf
Interpretation of the Psalm Genre in the Works of Jaroslav Zatloukal and Eugen Suchon

Tetiana ROSUL

109-120
- pdf
Using Modern Conducting Approaches in the Performance of Classical Repertoire

Vasyl CHUCHMAN, Anastasiia PATER, Vira NAIDA, Iryna PARFENTIEVA, Liubomyr MARTYNIV

121-138
- pdf
Musical Performance in the Context of the Development of Contemporary Musical Art

Olena BATOVSKA, Natalia GREBENUK, Sergii KOSTOGRYZ, Yuriy DYACHENKO, Victoria TKACHENKO

139-152
- pdf
Effectiveness of Authentic Performance Methods for the Development of Musical Interpretation in Music Students

Oleksandr DEMIANCHUK, Larysa SOLIAR, Oksana LEHKUN, Olena SHEVTSOVA, Nataliia POSIKIRA-OMELCHUK

153-174
- pdf
The Intersection Between Music and Creativity

Lajos KIRÁLY

175-188
- pdf
Oriental Otherness Represented in French Chamber Works of the 19th Century: David, Bizet, Saint-Saëns, Debussy

Mădălina Dana RUCSANDA, Noémi KARÁCSONY

189-206
- pdf
Overture "Shéhérazade" by Maurice Ravel: Genre and Semantic Projections

Valeriya ZHARKOVA, Oleksandr ZHARKOV, Ganna RIZAIEVA

207-216
- pdf
Bai Juyi’s Poetry in György Kósa’s Works

Krisztina SINKA

217-226
- pdf
A Large Polyphonic Cycle in the Piano Works of Ukrainian Composers of the Twentieth and Early Twenty-First Centuries: The Issue of Integrity

Iryna KOKHANYK, Svitlana POSTOVOITOVA

227-240
- pdf
Archetypical Signs of the Kolomyika in the Ukrainian Music of the 21st Century

Maryna VARAKUTA, Daryna KUPINA, Maryna VOTINTSEVA

241-250
- pdf
The Fantastic in Music

Iulian RUSU

251-269
- pdf

Volume 69, No. 2, December 2024

Full Issue

Interviews & Musical Chronicles

Creativity and Censorship in Music: ‘Like the Danube Carving Through a Mountain, It Produces Wonders’ – A Dialogue With Adrian Pop

Articles

Developing Children’s Melodic and Rhythmic Skills With Playful Tasks in Classroom Music Lessons

The Role of Pedagogical Mentoring in Building Professional Competencies of Future Music Teachers

William Shakespeare’s Legacy in Vocal Pedagogy: Revolutionizing the Art of Singing Through Breathing Techniques

The Use of Virtual Platforms in Teaching Bass Guitar

Aesthetics and Philosophy of the Performance Interpretation of the Author's Concept of a Musical Work

Enescian Pianism and Interpretative Style in Chamber Music Works: Impromptu Concertant for Violin and Piano, Concertstück for Viola and Piano, Légende for Trumpet and Piano and Cantabile et Presto for Flute and Piano

Interpretation of the Psalm Genre in the Works of Jaroslav Zatloukal and Eugen Suchon

Using Modern Conducting Approaches in the Performance of Classical Repertoire

Musical Performance in the Context of the Development of Contemporary Musical Art

Effectiveness of Authentic Performance Methods for the Development of Musical Interpretation in Music Students

The Intersection Between Music and Creativity

Oriental Otherness Represented in French Chamber Works of the 19th Century: David, Bizet, Saint-Saëns, Debussy

Overture "Shéhérazade" by Maurice Ravel: Genre and Semantic Projections

Bai Juyi’s Poetry in György Kósa’s Works

A Large Polyphonic Cycle in the Piano Works of Ukrainian Composers of the Twentieth and Early Twenty-First Centuries: The Issue of Integrity

Archetypical Signs of the Kolomyika in the Ukrainian Music of the 21st Century

The Fantastic in Music

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