A SNEAK PEEK INTO LIGETI'S MAILBOX: "IL ME FERA GRAND PLAISIR D’ÉCRIRE UN QUATUOR À CORDES POUR LES ARDITTI. MAIS QUAND? ..."

Authors

Keywords:

Ligeti, String Quartet, Manuscript, Sacher Foundation, Arditti, Kronos, John Zorn

Abstract

Ligeti’s manuscripts at the Sacher archive in Basle continue to provide new insights into the composer’s life and career, elements which are meant to complement the general knowledge about this fascinating musician. The verbal sketches of two more String Quartets (Nos. 3 and 4) challenge the researcher to step into the intricate maze of Ligeti’s creative mind. Meant for two famous ensembles, the Arditti and Kronos, respectively, the sketches of the two uncompleted pieces span almost two decades, from mid-1980s until the year 2000. Remaining an unrealised dream, along with other works, such as the operas Alice's Adventures in Wonderland, The Tempest and the orchestra piece Labyrinth, the String Quartets Nos.3 and 4 represent a window into Ligeti’s laboratory, allowing us to glimpse, through fragmentary clues, the author’s secret ingredients, ideas and creative mechanisms.

References

*** The manuscripts of the Ligeti Collection of the Paul Sacher Foundation, Basle, Switzerland

***The manuscripts of the Arditti Collection of the Paul Sacher Foundation, Basle, Switzerland

Brackett, John, John Zorn: Tradition and Transgression, Indiana University Press, 2008.

Denys, Bouliane, „Imaginäre Bewegung. György Ligetis ´Études pour piano´“, in Musik Texte, Köln, no. 28/29, 1989, pp. 73-84.

Duchesneau, Louise & Marx, Wolfgang eds., Of Foreign Lands and Strange Sounds, The Boydell Press, Woodbridge, 2011.

Kozinn, Alan, “The Prankster as Omnivore”, in The New York Times/14.XI.2005

Satory, Stephen, „An interview with György Ligeti in Hamburg”, in Canadian University Music Review 10, 1 (1990), pp. 101-117.

Searby, Michael D., „Ligeti, the Postmodernist”, in Tempo, Cambridge University Press, no. 199 (January, 1997), pp. 9–14.

Searby, Michael D., Ligeti's Stylistic Crisis: Transformation in His Musical Style, 1974-1985, Scarecrow Press, Plymouth, 2010.

Ţiplea Temeş, Bianca, “Ligeti’s String Quartet no. 1; stylistic incongruence?”, no. 2/ 2008, Studia Musica, Cluj University Press, pp. 187-203.

Ţiplea Temeş, Bianca, „Tracking Down Ligeti’s Unfinished Third and Fourth String Quartets”, no. 25/2012, in Mitteilungen der Paul Sacher Stiftung, Ed. Schwabe AG, Basel/Muttenz, pp. 49-54.

Ţiplea Temeş, Bianca, „Ligeti’s String Quartet Music: From the Published Works to the New Discoveries at the Paul Sacher Foundation”, in IFCC 2012. Proceedings of the 2012, 13th International Conference on Acoustics and Music: Theory &Applications (AMTA ’12), ASME Press, New York, pp. 183-188.

Whittall, Arnold: „In Memoriam: György Ligeti”, in The Musical Times, vol. 147, no. 1896/2006, Musical Times Publications Ltd., pp. 2-4

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Published

2014-12-30

How to Cite

ŢIPLEA TEMEŞ, B. (2014). A SNEAK PEEK INTO LIGETI’S MAILBOX: "IL ME FERA GRAND PLAISIR D’ÉCRIRE UN QUATUOR À CORDES POUR LES ARDITTI. MAIS QUAND? ." . Studia Universitatis Babeș-Bolyai Musica, 59(2), 53–67. Retrieved from https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8815

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