AN ANALYSIS OF THE GENRE, STYLE, AND INTERPRETATIVE ASPECTS OF FRANCIS POULENC'S PIANO SONATA FOR FOUR HANDS

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DOI:

https://doi.org/10.24193/subbmusica.2025.2.19

Keywords:

piano four-hand, Francis Poulenc, Claude Debussy, sonata

Abstract

Composed in the 20th century, Francis Poulenc's Piano Sonata for Four Hands is a significant piece for piano duets. Its musical characteristics are represented in a unique way, as if it were an archive of its own. A piece of music where the composer paid close attention to every detail, even choreographing the posture and movement of the performers, which distinguished this piece from other piano four-hands compositions. The objective of this research is to provide a comprehensive analysis of the distinctive features of this sonata, along with the characteristics that are commonly found in piano duets prior to this composition.

References

Bernac, Pierre. Francis Poulenc and his melodies. Paris, Buchet Chastel, 2014.

Ferraty, Franck. Francis Poulenc at his piano: a keyboard full of fantasy. Paris, L'Harmattan, 2011.

Goy, Pierre. L'art de la pédalisation: peut-on jouer d'après les Urtexte, 2012. http://larevue.conservatoiredeparis.fr/index.php?id=683 (Accessed 20.04.2025).

Hell, Henri. Francis Poulenc, French musician. Paris, Fayard, 1978.

Keith, Daniel. Francis Poulenc. His Artistic Development and Musical Style. London, UMI Research Press, 1982.

Nazaykinsky, Evgeny. On the Psychology of Musical Perception. Moscow, Music, 1972.

Poulenc, Francis. Echo and Source: Selected Correspondence 1915-1963. London, Victor Gollancz, Ltd, 1991.

Poulenc, Francis. Conversations with Claude Rostand. Paris, R. Julliard, 1954.

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Published

2025-12-24

How to Cite

MUREȘAN, V. (2025). AN ANALYSIS OF THE GENRE, STYLE, AND INTERPRETATIVE ASPECTS OF FRANCIS POULENC’S PIANO SONATA FOR FOUR HANDS. Studia Universitatis Babes-Bolyai Musica, 70(2), 363–374. https://doi.org/10.24193/subbmusica.2025.2.19

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