“TO VICTORY” FOR VOCAL SEXTET AND SYMPHONY ORCHESTRA BY OLENA ILNYTSKA: MYTHOPOETICS OF THE WORK

Olena YAKYMCHUK

doi:10.24193/subbmusica.2025.2.23

Authors

Olena YAKYMCHUK Department of History of Ukrainian Music and Music Folklore, Ukrainian National Tchaikovsky Academy of Music, Kiev, Ukraine. Email: mirigol@ukr.net https://orcid.org/0000-0002-2276-6061

DOI:

https://doi.org/10.24193/subbmusica.2025.2.23

Keywords:

Olena Ilnytska’s work, theme of war, symphonic work, symphony, symphonic music

Abstract

The works of the Ukrainian composer Olena Ilnytska (born in 1977) are well known not only in Ukraine, but also abroad. Her works are performed by both domestic and foreign musicians. The piece “To Victory” for vocal sextet and symphony orchestra is an example of contemporary Ukrainian symphonism, combining Western European and national traditions with techniques of contemporary musical language. In it, as in other genres, the author's mythopoetic thinking is evident. She reflects on a complex, historically established genre that has a philosophical basis in the history of world musical culture. “To Victory” is indicative both for understanding of mythopoetics of symphony music and the author’s symphonic thinking, which revealed itself in the skill of large-scale thinking, combining different musical-semantical intonation models, uniting them in an integrate structure. Mythologization takes place on genre, thematic, and timbre levels.

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