INDIVIDUAL TRAJECTORY OF FORMING A PIANIST’S PERFORMANCE STYLE IN THE CONTEXT OF PERSONALISED LEARNING IN A HIGHER ARTS INSTITUTION

Authors

  • Olha LIASHENKO Candidate of Pedagogical Sciences, Associate Professor of the Chair of Instrumental and Performance Skills, Faculty of Musical Art and Choreography, Borys Grinchenko Kyiv University, Kyiv, Ukraine. E-mail: olhaliashenko@outlook.com https://orcid.org/0000-0002-5840-8178
  • Yevhen KURYSHEV Candidate of Pedagogical Sciences, Associate Professor of the Chair of Instrumental and Performance Skills, Faculty of Musical Art and Choreography, Borys Grinchenko Kyiv University, Kyiv, Ukraine. E-mail: kuryshev.y8@kubg.edu.ua https://orcid.org/0000-0002-0836-0735
  • Lyudmyla HARKUSHA Senior Lecturer of the Chair of Instrumental and Performance Skills, Faculty of Musical Art and Choreography, Borys Grinchenko Kyiv University, Kyiv, Ukraine. E-mail: harkushaa28@kubg.edu.ua https://orcid.org/0000-0001-7078-7994
  • Tetiana BUTENKO Senior Lecturer of the Chair of Instrumental and Performance Skills, Faculty of Musical Art and Choreography, Borys Grinchenko Kyiv University, Kyiv, Ukraine. E-mail: butenko.tetiana1958@kubg.edu.ua https://orcid.org/0000-0002-2898-3294
  • Valentyn KASIANOV Senior Lecturer of the Chair of Instrumental and Performance Skills, Faculty of Musical Art and Choreography, Borys Grinchenko Kyiv University, Kyiv, Ukraine. E-mail: kasianov.valentyn10@kubg.edu.ua https://orcid.org/0000-0001-5951-8072

DOI:

https://doi.org/10.24193/subbmusica.2025.2.05

Keywords:

learning environment, ethnic identification, interpreter’s psychophysiology, software, creative thinking

Abstract

This study aims to reveal the individual trajectory of their performance style formation. It is viewed as a progressive strategy with unique content that provides a flexible approach to each student. The research methods chosen included analysis, comparison, synthesis, and observation. Based on these, the author developed a methodology for training pianists. It is based on creating a series of psychological, social, and material-technical conditions. The results demonstrate a deeper aesthetic understanding of world piano culture and an openness to various learning models. The results are also characterised by a respect for each student’s philosophical worldview and cultural identity, along with an enhanced acquisition of theoretical knowledge. It was found that effective implementation mechanisms include a varied repertoire, adapted to the student’s artistic interests, and the monitoring 
of performance gestures. The prospects for research lie in highlighting new components for improving a unique learning system, the foundation of which is the individual trajectory of pianists’ development of their performing style.

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Published

2025-12-24

How to Cite

LIASHENKO, O., KURYSHEV, Y., HARKUSHA, L., BUTENKO, T., & KASIANOV, V. (2025). INDIVIDUAL TRAJECTORY OF FORMING A PIANIST’S PERFORMANCE STYLE IN THE CONTEXT OF PERSONALISED LEARNING IN A HIGHER ARTS INSTITUTION. Studia Universitatis Babes-Bolyai Musica, 70(2), 95–114. https://doi.org/10.24193/subbmusica.2025.2.05

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