THE SOUND OF INDIA IN MAURICE DELAGE’S QUATRE POÈMES HINDOUS
DOI:
https://doi.org/10.24193/subbmusica.2020.2.18Keywords:
Orientalism, France, India, 20th century, Maurice Delage.Abstract
French composer and pianist Maurice Delage wrote several significant works inspired by his personal contact with the Orient. His travels to India inspired Delage to use innovative sound effects in his compositions, as well as to require his performers to adapt their vocal or instrumental technique to obtain the sound desired by the composer. His representation of the Orient is not a mere evocation of the Other, as is the case with most orientalist works, rather it reflects the composer’s desire to endow Western music with the purity, strength, and vivid colors which he discovered and admired in Indian music. The present paper presents the historical and artistic background which inspired and influenced Delage, the relationship between France and India in the early 20th century and reveals the composer’s idealistic point of view regarding India, its culture, and its music. The analysis focuses on the mélodie cycle Quatre poèmes hindous, composed between 1912 and 1913, striving to reveal the Indian influences in the work of Delage and the way orientalism is represented in French music from the first decades of the 20th century.References
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SCORES:
Delage, Maurice. Quatre poèmes hindous. Durand – complete score, Paris, 1914.
Delage, Maurice. Quatre poèmes hindous. Durand – voice and piano, Paris, 1914.
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