Volume 70, Special Issue 4, December 2025

STUDIA UBB MUSICA, Volume 70 (LXX), Special Issue 4, December 2025

Volume 70, Special Issue 4, December 2025, ISSUE DOI:10.24193/subbmusica.2025.spiss4

MUSIC STYLISTICS & OTHER RESEARCH

DOI: https://doi.org/10.24193/subbmusica.2025.spiss4

Published: 2025-12-31

Full Issue

Articles

LES QUERELLES DE LA VOIX : FRENCH AND ITALIAN STYLISTIC RIVALRY IN 18TH CENTURY VOCAL PRACTISES, AS REFLECTED IN WRITINGS AND TREATISES

Noémi KARÁCSONY, Mădălina Dana RUCSANDA

9-27
- pdf
THE HARPSICHORD AS AN AESTHETIC LEGACY OF BEETHOVENS EARLY PIANO SONATAS

Diana ICHIM, Stela DRĂGULIN

29-43
- pdf
JEAN FRANÇAIX : CINQ DANSES EXOTIQUES. A REFINED DIALOGUE BETWEEN SAXOPHONE AND PIANO

Bogdan CONSTANTIN, Lioara POPA

45-78
- pdf
CONTEMPORARY AMERICAN GENRES AND STYLES OF POPULAR MUSIC IN THE LIGHT OF JACQUES DERRIDA’S CONCEPT OF HAUNTOLOGY

Laurenţiu BELDEAN, Ciprian ŢUŢU

79-89
- pdf
ASTOR PIAZZOLLA’S “HISTORY OF TANGO”: AN ANTHOLOGY OF THE GENRE IN THE AUTHOR’S PROJECTIONS

Tetiana FILATOVA, Tymur IVANNIKOV

91-102
- pdf
THE GRID AS A VISUAL COMPOSITION TOOL IN MORTON FELDMAN’S MUSIC

Alexandra BELIBOU, Liviu-Valentin IFTENE

103-110
- pdf
SOUNDING THE UKRAINIAN SOUL: AESTHETIC AND CIVIC DIMENSIONS IN YAKIV STEPOVYI’S VOCAL MINIATURES

Oksana PYSMENNA, Svitlana MYSHKO, Nataliya TODOROVA, Anatoliy MYSHKO

111-133
- pdf
NEMESCU’S IMAGINARY MUSIC AND THE ARCHETYPAL DIMENSION OF CREATION

Iuliana ISAC

135-144
- pdf
THE SOUND CONCEPT OF HOPE IN UKRAINIAN CONTEMPORARY BALLET

Veronika ZINCHENKO-HOTSULIAK

145-152
- pdf
GREGORIAN CHANT IN THE PRACTICE OF THE SAXON UNITARIANS IN TRANSYLVANIA. PART 2

Anette PAPP

153-172
- pdf
THE IMPORTANCE OF COMMUNITY MUSIC IN SOCIETY

Andrea ASZTALOS

173-188
- pdf
ARTISTIC RESEARCH AND THE DOCUMENTATION OF SOCIAL CRISES: POSTHUMANIST APPROACHES TO COLLECTIVE AFFECTIVE STATES IN WARTIME MUSIC

Asmati CHIBALASHVILI

189-198
- pdf
HISTORICAL DUALITIES IN THE CRYSTALLIZATION OF MUSIC MANAGEMENT HISTORY

Oana-Mihaela BĂLAN-BUDOIU

199-209
- pdf
THE SYMPHONY CONCERT AS MARKETING PRODUCT

Dalma Lidia TOADERE

211-224
- pdf
THE CULTURAL LOGIC AND RELIGIOUS IMPLICATIONS OF SHAMAN MUSIC IN KOREA AND CHINA: A COMPARATIVE STUDY OF ETHNOMUSICOLOGY

Fanchang MIAO, Johee LEE

225-253
- pdf
A MYSTERIOUS FORGOTTEN INSTRUMENT: THE VIOLONCELLO DA SPALLA, A CELLO FOR VIOLINISTS

Előd GÁBOR

255-270
- pdf
TRANSYLVANIAN MUSICAL MANUSCRIPTS: HISTORICAL AND CULTURAL SOURCES FROM THE 17TH–19TH CENTURIES

Zsombor FILIP, Mădălina RUCSANDA

271-280
- pdf
EMINESCU AND THE ART OF THE LIED. THE ENCOUNTER BETWEEN EMINESCU’S POETRY AND MUSIC

Sergiu GARABAJII, Sonia ILINCĂI

281-296
- pdf
DECONSTRUCTING CAPITALISM THROUGH MUSIC: A PERFORMER’S PERSPECTIVE ON WEILL AND BRECHT’S ”DIE SIEBEN TODSÜNDEN”

Daniel ZAH

297-307
- pdf

Book Reviews

EXCELSIOR: OUR MUSIC, MY LIFE (Confessions of the Conductor, Professor, and Composer Valentin Gruescu, in Conversation with Musicologist Petruța-Maria Coroiu)

Petruța Maria COROIU

309-315
- pdf

Volume 70, Special Issue 4, December 2025

Full Issue

Articles

LES QUERELLES DE LA VOIX : FRENCH AND ITALIAN STYLISTIC RIVALRY IN 18TH CENTURY VOCAL PRACTISES, AS REFLECTED IN WRITINGS AND TREATISES

THE HARPSICHORD AS AN AESTHETIC LEGACY OF BEETHOVENS EARLY PIANO SONATAS

JEAN FRANÇAIX : CINQ DANSES EXOTIQUES. A REFINED DIALOGUE BETWEEN SAXOPHONE AND PIANO

CONTEMPORARY AMERICAN GENRES AND STYLES OF POPULAR MUSIC IN THE LIGHT OF JACQUES DERRIDA’S CONCEPT OF HAUNTOLOGY

ASTOR PIAZZOLLA’S “HISTORY OF TANGO”: AN ANTHOLOGY OF THE GENRE IN THE AUTHOR’S PROJECTIONS

THE GRID AS A VISUAL COMPOSITION TOOL IN MORTON FELDMAN’S MUSIC

SOUNDING THE UKRAINIAN SOUL: AESTHETIC AND CIVIC DIMENSIONS IN YAKIV STEPOVYI’S VOCAL MINIATURES

NEMESCU’S IMAGINARY MUSIC AND THE ARCHETYPAL DIMENSION OF CREATION

THE SOUND CONCEPT OF HOPE IN UKRAINIAN CONTEMPORARY BALLET

GREGORIAN CHANT IN THE PRACTICE OF THE SAXON UNITARIANS IN TRANSYLVANIA. PART 2

THE IMPORTANCE OF COMMUNITY MUSIC IN SOCIETY

ARTISTIC RESEARCH AND THE DOCUMENTATION OF SOCIAL CRISES: POSTHUMANIST APPROACHES TO COLLECTIVE AFFECTIVE STATES IN WARTIME MUSIC

HISTORICAL DUALITIES IN THE CRYSTALLIZATION OF MUSIC MANAGEMENT HISTORY

THE SYMPHONY CONCERT AS MARKETING PRODUCT

THE CULTURAL LOGIC AND RELIGIOUS IMPLICATIONS OF SHAMAN MUSIC IN KOREA AND CHINA: A COMPARATIVE STUDY OF ETHNOMUSICOLOGY

A MYSTERIOUS FORGOTTEN INSTRUMENT: THE VIOLONCELLO DA SPALLA, A CELLO FOR VIOLINISTS

TRANSYLVANIAN MUSICAL MANUSCRIPTS: HISTORICAL AND CULTURAL SOURCES FROM THE 17TH–19TH CENTURIES

EMINESCU AND THE ART OF THE LIED. THE ENCOUNTER BETWEEN EMINESCU’S POETRY AND MUSIC

DECONSTRUCTING CAPITALISM THROUGH MUSIC: A PERFORMER’S PERSPECTIVE ON WEILL AND BRECHT’S ”DIE SIEBEN TODSÜNDEN”

Book Reviews

EXCELSIOR: OUR MUSIC, MY LIFE (Confessions of the Conductor, Professor, and Composer Valentin Gruescu, in Conversation with Musicologist Petruța-Maria Coroiu)

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