EDE TERÉNYI AND “THE 4 SEASONS”
Keywords:
Vivaldi, Haydn, Tchaikovsky, Terényi, concert, oratory, piano, harpsichord, seasons, autumnAbstract
A post-modernist projection on a Vivaldian theme seems surprising at the beginning of the 21st century; this phenomenon coincides with composer Ede Terényi’s artistic creed: “the art of the new century will pursue the ideal of a tri-dimensional portrait, comprising the visual, the auditory, and the spiritual and sentimental significance of the word. The 21st-century artists will be defined by the ease of movement in these three temporal dimensions: the past, the present of their life, and their previsions for the future will probably be anchored in the past.”
References
Fride-Carrasat, Patricia, Maeştrii picturii (The Masters of the Pictures), Enciclopedia RAO, 2004.
Ianegic, Ion, Antonio Vivaldi, Ed. Muzicală a U.C., Bucharest, 1965, p. 115.
Ovidius, Metamorfoze (Metamorphosis), Ed. Ştiinţifică, Bucharest, 1972.
Connor, Steven, Cultura postmodernă (The postmodern Culture), in: “Hrestomaţie pentru disciplinele: Teorii moderne asupra artei şi retorica muzicală (Modern Theories about the Arts and the Musical Rhetoric), Ed. Meridiane, Bucharest, 1999.
Chevalier, Jean and Gheerbrandt, Alain, Dicţionar de simboluri (Dictionary of Symbols),
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