IAC: AN INTERACTIVE MUSIC SYSTEM

Authors

Keywords:

Interactive music system, music software programming, algorithmic composition, electronic music

Abstract

This paper aims to discuss different technical and artistic aspects of IAC software, with emphasis on interactive music system concept. Would not it be possible to create “intelligent” software that is able to “understand” the performer actions and to “follow” the score, right there on the stage? IAC facilitates the interactive composition based on programmed algorithms. The algorithms generate music structures during the ongoing performance with a MIDI keyboard connected to computer; they are designed to respond concurrently to changing pitch, intensity, and tempo.

References

Borza, Adrian, Muzică şi calculator (Music and Computer), Editura Muzicală, Bucharest, 2008.

Rowe, Robert, Interactive Music Systems: Machine Listening and Composing, The MIT Press, Cambridge, Massachusetts, 1993.

Rowe, Robert, The Aesthetics of Interactive Music Systems, in: Contemporary Music Review, Vol. 18, Part 3, 1999.

Zicarelli, David, Max User’s Manual – Reference Manual, Version 4.6, 2006, p. 77.

Winkler, Todd, Composing Interactive Music: Techniques and Ideas Using Max, The MIT Press, Cambridge, Massachusetts, 1998.

Downloads

Published

2009-06-30

How to Cite

BORZA, A. (2009). IAC: AN INTERACTIVE MUSIC SYSTEM. Studia Universitatis Babeș-Bolyai Musica, 54(1), 123–128. Retrieved from https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/9035

Issue

Section

Articles

Similar Articles

<< < 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 > >> 

You may also start an advanced similarity search for this article.