STRUCTURAL ELEMENTS IN HANS PETER TÜRK'S “SUITE FOR CLARINET SOLO"
Keywords:
form, interval, rangeAbstract
The Suite for clarinet solo composed by Hans Peter Türk was written in 1972 and is made up of three parts: Prelude - which is based on a form of sonata (even sonatina, due to its reduced length); Melopoeia - is an Arioso with a three stanza form of the type A B Av in which the predominant interval, also gaining an essential role in structuring the musical discourse, is the major and minor third; and Ostinato – which I consider to be the most complex part from the point of view of composition techniques. It contains two successive musical “moments” in contrast with one another. The score has a rich palette of instrumental colours, unified by a melodious modal-chromatic writing.
References
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Herman, Vasile, Originile şi dezvoltarea formelor muzicale (The Origins and Development of Musical Forms), Ed. Muzicală, Bucharest, 1982.
Timaru, Valentin, Analiza muzicală între conştiinţa de gen şi conştiinţa de formă (Musical Analysis between Awareness of Genre and Awareness of Form), Ed. Universităţii din Oradea, 2003.
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Türk, Hans Peter, Suită pentru clarinet solo (Suite for Clarinet Solo) - Score, 1972 litogr. the “Gheorghe Dima” Conservatory 1973, Editura Muzicală 1984.
Ţăranu, Cornel, Elemente de stilistică muzicală (sec.XX) (Elements of Musical Stylistics (the 20th c.)), the “Gheorghe Dima” Conservatory, Cluj-Napoca, 1981.
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