Volume 65, No. 1, June 2020

Articles

• CORNEL ȚĂRANU: PROFESSIONAL AND COMPOSITIONAL TRAJECTORY

  Cristina ŞUTEU

  9-31

  • pdf

• COMPARISON OF TWO DIFFERENT WARM-UP TASKS, USING A NEW TOOL ALSO

  Tamás J. ALTORJAY, Csaba CSÍKOS

  33-44

  • pdf

• AN APPROACH TO MUSIC TEACHER AS MULTI-INSTRUMENTALIST

  Simas ALEKNAVIČIUS, Rytis URNIEŽIUS

  45-54

  • pdf

• OPPORTUNITIES FOR INCLUSIVE MUSIC EDUCATION IN THE GENERAL EDUCATION SCHOOL: AN ANALYSIS OF TEACHERS’ ATTITUDES

  Diana STRAKŠIENĖ

  55-68

  • pdf

• A BRIEF HISTORY OF THE SONATA FORM (I) THE BAROQUE SONATA

  Emanuela-Fabiola PRIP

  69-79

  • pdf

• THE EVOLUTION OF ARMENIAN LITURGICAL MUSIC

  Ágota BODURIAN

  81-90

  • pdf

• HISTORICAL DATA ON THE MUSIC OF ARMENIANS IN TRANSYVANIA

  Ágota BODURIAN

  91-105

  • pdf

• REFERENCES FOR THE DEVELOPMENT OF THE CLUJ-NAPOCA SCHOOL OF COMPOSITION IN THE CONTEXT OF ROMANIAN CHORAL MUSIC

  Elena-Laura GREAVU, Roxana PEPELEA

  107-121

  • pdf

• MUSIC IN THE PSALM SUPERSCRIPTIONS

  János MOLNÁR

  123-136

  • pdf

• FRAGMENTE AUS DAVIDS PSALMEN. MUSIKALISCHE FORSCHUNGEN

  Mihai BRIE

  137-146

  • pdf

• VASILE PETRAȘCU. THE TRANSYLVANIAN RELIGIOUS MUSIC BETWEEN STABILITY AND CONTINUITY

  Daniel MOCANU

  147-167

  • pdf

• THE SEMANTICS OF FRANZ LISZT’S PIANO THRENODIES WITHIN THE CONCEPT OF PASSION

  Alona BORSHULIAK

  169-182

  • pdf

• MAURICE RAVEL: LE TOMBEAU DE COUPERIN – PART I. THE REMINISCENCE OF BAROQUE COMPOSITIONAL TECHNIQUES

  Boglárka Eszter OLÁH

  183-193

  • pdf

• ASPECTS RESULTING FROM THE ANALYSIS OF THE TONE ROW USED IN DE PROFUNDIS BY ARNOLD SCHOENBERG

  Alexandra BELIBOU

  195-202

  • pdf

• AUREL STROE - LE CONCERT POUR ACCORDÉON ET ENSAMBLE DE SOLISTES: CONSIDÉRATIONS SÉMANTIQUES

  Petruța-Maria COROIU

  203-212

  • pdf