PROLEGOMENA TO INTERACTIVE MUSIC SYSTEMS

Authors

Keywords:

interactive music system, music software programming, algorithmic composition, electronic music

Abstract

This paper aims to discuss the interactive music system concept. An operational computer with “intelligent” software “understands” the performer actions and “follows” the score, being able to accompany the soloist, to transform the sound, and to generate music, during the ongoing performance. It provides the reader with compositional algorithms for the purpose of illustrating Max/MSP programming methods and techniques.

References

Borza, Adrian, Muzică şi calculator (Music and Computer), Editura Muzicală, Bucharest, 2008

Rowe, Robert, Interactive Music Systems: Machine Listening and Composing, The MIT Press, Cambridge, Massachusetts, 1993

Rowe, Robert, The Aesthetics of Interactive Music Systems, in Contemporary Music Review, 1999, Vol. 18, Part 3

Winkler, Todd, Composing Interactive Music: Techniques and Ideas Using Max, The MIT Press, Cambridge, Massachusetts, 1998

Zicarelli, David, Max User’s Manual – Reference Manual, Version 4.6, 2006

STUDIA UBB MUSICA, Volume 55 (LV), No. 1, June 2010

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Published

2010-06-30

Issue

Volume 55, No. 1, June 2010

Section

Articles

License

Copyright (c) 2010 Studia Universitatis Babeș-Bolyai Musica

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

How to Cite

PROLEGOMENA TO INTERACTIVE MUSIC SYSTEMS. (2010). Studia Universitatis Babes-Bolyai Musica, 55(1), 49-58. https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8953

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