ESSENTIAL PRINCIPLES OF VIOLIN INTERPRETATION

Authors

  • Cătălina GUŢANU Academy of Music, Theatre and Fine Arts, Chişinău, Republic of Moldova. E-mail: cheandy9@yahoo.com

Keywords:

Violin, interpretation, music, performance, teaching

Abstract

Many people tend to consider musical tonality as a gift of nature. Of course, we cannot deny its influence; however, in the interpretation of any beginner violinist, even of the most talented ones, tonal musicality is not something that appears from the start. It perfects itself throughout a long process of development of the interpretative knowledge. During the performance of a musical piece, any musician – regardless of whether he/she is a pianist, violinist or vocal singer, uses a full and profound sound that beautifies the interpretation and gives it more musicality, more feeling, warmth and spirituality. In order to render the character of a musical piece during interpretation, it is not enough to possess only the dynamic and timbral source (though it is important, of course), but still it is necessary to find a high quality sound that would coincide with the style, character and content of that particular piece.

References

Agarcov, O.M., Violin Interpretation, Muzîca State Printing House, Moscow, 1956.

Liberman, M. - Berliancic, M., The Culture of the Violin Soun” and The Ways of Formation and Development, Muzîca State Printing House, Moscow, 1985.

Mostras, K.G., The System of Effective Violin Practice, Muzîca State Printing House, Moscow, 1956.

Pogojeva, T.V., Violin Method, Muzîca State Printing House, Moscow, 1966.

Sapojnikov, S., Questions on Violin Interpretation and Teaching, Muzîka State Printing House, Moscow, 1968.

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Published

2012-12-30

How to Cite

GUŢANU, C. (2012). ESSENTIAL PRINCIPLES OF VIOLIN INTERPRETATION. Studia Universitatis Babeș-Bolyai Musica, 57(2), 191–198. Retrieved from https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8924

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