THE ARTICULATION OF THE NOTES IN TREATIES DEDICATED TO WOODWIND INSTRUMENTS FROM THE BAROQUE ERA
Keywords:
articulation, Ganassi, Hotteterre, QuantzAbstract
The articulations described in the treaties from the baroque era give proof to a wider variety, compared to the ones used in our days. The knowledge and application of these types of articulations offers a possibility to spread and enrich the expression palette of each performer and can be used not only with baroque instruments but also by performers of modern instruments.
References
Drouet, Louis Francois Philippe, in Méthode pour la flûte, ou Traité complet et raisonné pour apprendre à jouer de cet instrument (Method for flute, or full and reasoned Treaty to learn to play this instrument), Paris, A. J. Pleyel et fils aîné, 1828), facsimile, p. 68 – 69.
Ganassi, Silvestro, Opera intitulata Fontegara/La quale insegna a sunare di flauto, (Opera intitulata Fontegara/The sunare which teaches flute), Veneţia, 1535, facsimile, p. [10].
Hotteterre, Jacques Martin, Principes de la flute traversière ou flute d’allemagne; de la flute à bec ou flute douce et du hautbois, (Principles of the flute traversiere or german; of the recorder and oboe), Amsterdam, 1728, facsimile, p. 22 – 27.
Mahout Antoine, Nouvelle Method pur apredre un peu de tems a Jouer un peu de la Flute Traversiere (Method to learn a little to play flute traversiere), Paris, 1759, facsimile, p. 23.
Quantz, Johann, Joachim, Versuch einer Anweisung die Flöte traversière zu spielen (Essay of a Method of Playing the Flute traversiere), Berlin, 1752, facsimile, appendix.
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