Modern Global Trends in the Development of Choral Performance

Authors

  • Olena BATOVSKA I. P. Kotlyarevsky Kharkiv National University of Arts, 11/13 Maidan Konstytutsii, Kharkiv, 61003, Ukraine https://orcid.org/0000-0002-1435-1245
  • Nataliya BYELIK-ZOLOTARYOVA I. P. Kotlyarevsky Kharkiv National University of Arts, 11/13 Maidan Konstytutsii, Kharkiv, 61003, Ukraine https://orcid.org/0000-0003-3670-4037
  • Juliia IVANOVA I. P. Kotlyarevsky Kharkiv National University of Arts, 11/13 Maidan Konstytutsii, Kharkiv, 61003, Ukraine

DOI:

https://doi.org/10.24193/subbmusica.2023.2.17

Keywords:

choral art, choir, choral work, performance interpretation, choral genre, choral style, timbre dramaturgy, performance analysis.

Abstract

The relevance of the studied issue is the need to identify the main trends in choral performance, and determine the principles of the work of conductors and choral artists in the context of renewal of the components in this field. The aim of the research is to study the problem of current global trends in the development of choral performance as a complex multifaceted and integral phenomenon. Its practical methods (audio search; audio selection; audio analysis) were used in the research. The aspects of modern choral performance (interdisciplinary; socio-cultural; as well as artistic management; professional training; modern engineering technologies; information and communication space; technologies aimed at preserving human and professional resources) were identified. The current components of activity in the field of modern choral art were established. The directions of modern choral practice were identified (activation of the musical group in the life of society; expansion of traditional executive functions; growth of the genre stylistic palette of the choral repertoire). The system of key modernized methods of interpreting choral works of the 20th and 21st centuries was studied (principles of intonation; the principle of expanding the range; the principle of enriching the technical means of interpretation; the principles of forming the performance texture; the principle of interpreting the verbal text in the context of the choral score; the principle of creating different types of sound). The general features of modern choral performance in Ukraine and in the world were studied. The results can be applied in the process of researching future choral performing practice and preparing the relevant studies. The prospects of research in this field of musical culture are to enrich the theoretical and practical sectors of choral art as a complex system which is open for updates.

Author Biographies

Olena BATOVSKA, I. P. Kotlyarevsky Kharkiv National University of Arts, 11/13 Maidan Konstytutsii, Kharkiv, 61003, Ukraine

Doctor of Art Criticism, Professor, Department of Choral and Opera-Symphonic Conducting, Faculty of Performance and Musicology, I. P. Kotlyarevsky Kharkiv National University of Arts, Kharkiv, Ukraine.

Nataliya BYELIK-ZOLOTARYOVA, I. P. Kotlyarevsky Kharkiv National University of Arts, 11/13 Maidan Konstytutsii, Kharkiv, 61003, Ukraine

PhD of Art, Professor, Department of Choral and Opera-Symphonic Conducting, Faculty of Performance and Musicology, I. P. Kotlyarevsky Kharkiv National University of Arts, Kharkiv, Ukraine.

Juliia IVANOVA, I. P. Kotlyarevsky Kharkiv National University of Arts, 11/13 Maidan Konstytutsii, Kharkiv, 61003, Ukraine

PhD in Art Studies, Assistant Professor, Department of Choral and Opera-Symphonic Conducting, Faculty of Performance and Musicology, I. P. Kotlyarevsky Kharkiv National University of Arts, Kharkiv, Ukraine.

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Published

2023-12-30

How to Cite

BATOVSKA, O., BYELIK-ZOLOTARYOVA, N., & IVANOVA, J. (2023). Modern Global Trends in the Development of Choral Performance. Studia Universitatis Babeș-Bolyai Musica, 68(2), 235–256. https://doi.org/10.24193/subbmusica.2023.2.17

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