Modern Global Trends in the Development of Choral Performance

Authors

  • Olena BATOVSKA I. P. Kotlyarevsky Kharkiv National University of Arts, 11/13 Maidan Konstytutsii, Kharkiv, 61003, Ukraine https://orcid.org/0000-0002-1435-1245
  • Nataliya BYELIK-ZOLOTARYOVA I. P. Kotlyarevsky Kharkiv National University of Arts, 11/13 Maidan Konstytutsii, Kharkiv, 61003, Ukraine https://orcid.org/0000-0003-3670-4037
  • Juliia IVANOVA I. P. Kotlyarevsky Kharkiv National University of Arts, 11/13 Maidan Konstytutsii, Kharkiv, 61003, Ukraine

DOI:

https://doi.org/10.24193/subbmusica.2023.2.17

Keywords:

choral art, choir, choral work, performance interpretation, choral genre, choral style, timbre dramaturgy, performance analysis.

Abstract

The relevance of the studied issue is the need to identify the main trends in choral performance, and determine the principles of the work of conductors and choral artists in the context of renewal of the components in this field. The aim of the research is to study the problem of current global trends in the development of choral performance as a complex multifaceted and integral phenomenon. Its practical methods (audio search; audio selection; audio analysis) were used in the research. The aspects of modern choral performance (interdisciplinary; socio-cultural; as well as artistic management; professional training; modern engineering technologies; information and communication space; technologies aimed at preserving human and professional resources) were identified. The current components of activity in the field of modern choral art were established. The directions of modern choral practice were identified (activation of the musical group in the life of society; expansion of traditional executive functions; growth of the genre stylistic palette of the choral repertoire). The system of key modernized methods of interpreting choral works of the 20th and 21st centuries was studied (principles of intonation; the principle of expanding the range; the principle of enriching the technical means of interpretation; the principles of forming the performance texture; the principle of interpreting the verbal text in the context of the choral score; the principle of creating different types of sound). The general features of modern choral performance in Ukraine and in the world were studied. The results can be applied in the process of researching future choral performing practice and preparing the relevant studies. The prospects of research in this field of musical culture are to enrich the theoretical and practical sectors of choral art as a complex system which is open for updates.

Author Biographies

Olena BATOVSKA, I. P. Kotlyarevsky Kharkiv National University of Arts, 11/13 Maidan Konstytutsii, Kharkiv, 61003, Ukraine

Doctor of Art Criticism, Professor, Department of Choral and Opera-Symphonic Conducting, Faculty of Performance and Musicology, I. P. Kotlyarevsky Kharkiv National University of Arts, Kharkiv, Ukraine.

Nataliya BYELIK-ZOLOTARYOVA, I. P. Kotlyarevsky Kharkiv National University of Arts, 11/13 Maidan Konstytutsii, Kharkiv, 61003, Ukraine

PhD of Art, Professor, Department of Choral and Opera-Symphonic Conducting, Faculty of Performance and Musicology, I. P. Kotlyarevsky Kharkiv National University of Arts, Kharkiv, Ukraine.

Juliia IVANOVA, I. P. Kotlyarevsky Kharkiv National University of Arts, 11/13 Maidan Konstytutsii, Kharkiv, 61003, Ukraine

PhD in Art Studies, Assistant Professor, Department of Choral and Opera-Symphonic Conducting, Faculty of Performance and Musicology, I. P. Kotlyarevsky Kharkiv National University of Arts, Kharkiv, Ukraine.

References

Antipina, Inna. Choir as a Component of Ukrainian Musical Art Brand: Socio-Cultural Dimension. Chasopys Natsionalnoi muzychnoi akademii Ukrainy im P I Chaikovskoho, 2022, pp. 21-35. https://www.researchgate.net/publication/365644874

Ardahan, Faik, and İlyas, Seyida. Examining of Motivational Factors of Being a 60+ Choir Singer, Benefits Obtained via Participation in Recreational Choir with Respect to Some Demographic Variable. Journal of Human Sciences, 16(2), 2019, pp. 448-468. https://www.researchgate.net/publication/359270437

Batovska, O. M. Contemporary academic choral aet a cappella as a systemic musical-performing phenomenon. (Doctoral thesis). Odesa, Odessa National Music Academy named after A. V. Nezhdanova, 2019. СУЧАСНЕ АКАДЕМІЧНЕ ХОРОВЕ МИСТЕЦТВО A CAPPELLA.pdf (nakkkim.edu.ua)

Benedict, Claire. Sectional Surrealism: A practice-base investigation into choir recording techniques for the independent film composer. Conference: Art of Record Production, 2019. https://www.researchgate.net/publication/351956734

Bielik-Zolotariova, Nataliia. Choral performance art as a category of a modern choral studies. Aspects of Historical Musicology, 31, 2023, pp. 191-213.

Bondar, Ye. M. Artistic and stylistic synthesis as a phenomenon of modern choral creativity. Odesa, Astroprynt, 2019, p. 388.

Boydell, Barra. “The Increasing Excellence of the Choir”: The Eighteenth and Early Nineteenth Centuries. In: A History of Music at Christ Church Cathedral. Dublin, 2023, pp. 101-149. https://www.researchgate.net/publication/369392048

Burrows, D., Benson, M., et al. Chapter Five - Decline and Fall, 1923–33. In: Bedford’s Musical Society: A History of Bedford Choral Society. Bedfordshire Historical Record Society, 2023, pp. 99-130. https://www.researchgate.net/publication/371543748

Chatterjee, Sebanti. Performing Bollywood Broadway: Shillong Chamber Choir as Bollywood’s Other. Society and Culture in South Asia, 6(2), 2020, pp. 304-327. https://www.researchgate.net/publication/343356173

Coffeen, Robert C. Worship space acoustics and architecture for contemporary services with modern music. The Journal of the Acoustical Society of America, 142(4), 2017, pp. 2532-2532. https://www.researchgate.net/publication/321090767

de Castro Coelho, Ana Cristina, Daroz, Irandi Fernando, et al. Amateur choir singers: self-image, difficulties and symptoms of the singing voice. Revista CEFAC, 15(2), 2013, pp. 436-443. https://www.researchgate.net/publication/262514069

Eren, Hakki Cengiz, and Öztuğ, Emine Kıvanç. The implementation of virtual choir recordings during distance learning. Cypriot Journal of Educational Sciences, 15(5), 2020, pp. 1129-1139. https://www.researchgate.net/publication/346486006

Fuadah, Ainun, and Pramudya, Yudhiakto. Acoustic analysis on the voice of choir singers using Spectroid. Journal of Physics Conference Series, 1254(1), 2019, pp. 012022. https://www.researchgate.net/publication/337249357

Ion, Ciprian. Canti prophani by Sabin Pautza: innocent child’s play illustrated through elaborate composition play. ARTES. Journal of Musicology, 20(1), 2019, pp. 231-241. https://www.researchgate.net/publication/331867754

Ivanova, Y. Theoretical aspects development of the choral rendition development. Problems of Interaction of Art, Pedagogy, Theory and Practice of Education, 33, 2011, pp. 194-202.

Jers, Harald, and Ternström, Sten. Intonation analysis of a multi-channel choir recording. TMHQPSR Speech, Music and Hearing: Q Prog Status Rep, 47, 2005. https://www.researchgate.net/publication/251666625

Kerry, Victoria. ‘The Birth of the Virtual Choir’: Exploring the multimodal realisation of the Covid-19 liminal space in a YouTube virtual choir performance. Multimodality & Society, 2(3), 2022, pp. 263497952210868. https://www.researchgate.net/publication/359983585

Levett, Jo, and Pring, Tim. Amateur choir singers - Does good vocal health matter? International Journal of Language & Communication Disorders, 58(4), 2023. https://www.researchgate.net/publication/369194653

Martínez, Gerardo Acosta, and Daffern, Helena. The Role of Vibrato in Group Singing. A Systematic Review. Journal of Voice, 2022. https://www.researchgate.net/publication/366032824

Meerschman, Iris, D’haeseleer, Evelien, et al. Voice Quality of Choir Singers and the Effect of a Performance on the Voice. Journal of Voice, 2022. https://www.researchgate.net/publication/363652002

Meissl, Katharina, Sambre, Paul, et al. Mapping musical dynamics in space. A qualitative analysis of conductors’ movements in orchestra rehearsals. Frontiers in Communication, 7, 2022. https://www.researchgate.net/publication/365099047

Morimura, Kumiko, Iida, Makoto, et al. A Proposal on a Learning System to Realize Maestro’s Favorite SPL Balance. 9th International Conference on Music Perception and Cognition, August 22-26 2006. Alma Mater Studiorum University of Bologna, 2023. https://www.researchgate.net/publication/238747910

Onofre, Fernanda, de Almeida Prado, Maria Yuka, et al. Measurements of the Acoustic Speaking Voice after Vocal Warm-up and Cooldown in Choir Singers. Journal of Voice, 31, 2016. https://www.researchgate.net/publication/290480907

O’Reilly, Graham. 1 – Context. In: Allegri’s Miserere in the Sistine Chapel. Boydell Press, 2023, pp. 7-18. https://www.researchgate.net/publication/367096556

Pikhtar, O. A., and Kedis, O. Yu. Choir works of modern avangard composers: methodological aspect. Scientific journal of M. P. Dragomanov National Pedagogical University. Series 5 Pedagogical Sciences: Realities and Perspectives, 63, 2018, pp. 159-162. https://enpuir.npu.edu.ua/bitstream/handle/123456789/23938/Pikhtar%20O.%20A.%2C%20Kedis%20O.%20Yu..pdf?sequence=1

Poggi, Isabella, D’Errico, Francesca, et al. The conductor’s intensity gestures. Psychology of Music, 49(6), 2020. https://www.researchgate.net/publication/344785716

Poggi, Isabella. Signals of intensification and attenuation in orchestra and choir conduction. Normas, 7(1), 2017, pp. 33. https://www.researchgate.net/publication/322692501

Prykhodko, O. V. A cappella choral music of second half of XX – beginning of XXI century: theoretical understanding and performing approaches – Qualification research work as a manuscript. (Thesis for the degree of Candidate in Art criticism). Kyiv, National Tchaikovsky Music Academy of Ukraine, 2017. ХОРОВА МУЗИКА A CAPPELLA.pdf (nakkkim.edu.ua)

Prykhodko, O. V. A cappella choral music of second half of XX – beginning of XXI century: theoretical understanding and performing approaches – Qualification research work as a manuscript. (Abstract thesis for the degree of Candidate in Art criticism). Kyiv, National Tchaikovsky Music Academy of Ukraine, 2017.

Rastrygina, Alla. Choir conducting pedagogy in the scientific discourse of modern professional art education. Academic Notes Series Pedagogical Science, 1, 2022, pp. 61-66. https://www.researchgate.net/publication/364567052

Rosa, Milka, and Behlau, Mara. Mapping of Vocal Risk in Amateur Choir. Journal of Voice: Official Journal of the Voice Foundation, 31, 2016. https://www.researchgate.net/publication/300087266

Schaumberger, Helmut, van der Sandt, Johannes, et al. Singing is what we do (together) - redefining “together”: A comparative study. Formazione & Insegnamento, 16, 2021, pp. 28-54. https://www.researchgate.net/publication/362927250

Sharma, Vasudha, Nayak, Srikanth, et al. A survey of vocal health in church choir singers. European Archives of Oto-Rhino-Laryngology, 278(6), 2021, pp. 1-11. https://www.researchgate.net/publication/350791462

Sutherland, Andrew. Sharing the Stage: Trends in Composition for Children’s Choir and Symphony Orchestra. Musicology Australia, 40(1), 2018, pp. 1-19. https://www.researchgate.net/publication/326652276

Tyshchenko, Mykhailo. The Deum for mixed choir a cappella by Dmytro Stetsiuk in the context of Ukrainian religious music. National Academy of Managerial Staff of Culture and Arts Herald, 3, 2021, pp. 197-201. https://www.researchgate.net/publication/357292164

Vavryshchuk, Serhii. “Winds Are Blowing” by Hanna Havrylets in the Theatrical Interpretation of the Chamber Choir "Kyiv". Journal of the P. I. Tchaikovsky National Music Academy of Ukraine, 2021, pp. 50-65. https://www.researchgate.net/publication/359599997

Wafula, Mukasa. Appreciating the transcultural in music gesture diversities and stage directing in Kenyan choral music. Journal of Visual and Performing Arts, 1, 2023. https://www.researchgate.net/publication/371485310

Wardani, Indra, Oktadus, Henry Yuda, et al. Artistic Experiences and Social Interaction in Virtual Choir. 2023 Joint International Conference on Digital Arts, Media and Technology with ECTI Northern Section Conference on Electrical, Electronics, Computer and Telecommunications Engineering (ECTI DAMT & NCON). 2023. https://www.researchgate.net/publication/371425761

Yunda, V. Features of formation of future music teacher’s competence in working with children’s choir. Aesthetics and Ethics of Pedagogical Action, 2022, pp. 166-172. https://www.researchgate.net/publication/369893052

Downloads

Published

2023-12-30

How to Cite

BATOVSKA, O., BYELIK-ZOLOTARYOVA, N., & IVANOVA, J. (2023). Modern Global Trends in the Development of Choral Performance. Studia Universitatis Babeș-Bolyai Musica, 68(2), 235–256. https://doi.org/10.24193/subbmusica.2023.2.17

Issue

Section

Articles

Similar Articles

<< < 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 > >> 

You may also start an advanced similarity search for this article.