Volume 71, Special Issue 1, July 2026

Articles

• FEATURES OF THE COMMUNICATIVE INTERACTION COMPOSER – CONDUCTOR – PERFORMER AS EXEMPLIFIED BY THE ARTISTIC PRACTICE OF JEAN-DENIS MICHAT

  Oleksandra BERESTOVSKA, Volodymyr LEBED

  7-25

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• THE UNIQUENESS OF SYNTHESIS ACADEMIC SINGING AND FOLK INSTRUMENTAL BANDURA TRADITION IN THE CONTEXT OF EUROPEAN PERFORMANCE PRACTICES

  Liubov MANDZIUK, Lesia PIVTORATSKA, Liudmyla AVDYMYRETS, Natalia KOVAL

  27-40

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• FROM SCORE TO PERFORMANCE: A SEMIOTIC ANALYSIS OF COMMUNICATIVE STRATEGIES IN MUSICAL CULTURE

  Polina KHARCHENKO, Gvantsa GHVINJILIA, Ma YAZHUO, Liu JIANZHI, Tan QIAN

  41-57

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• INNOVATIVE APPROACHES IN THE PERFORMANCE OF A MUSICIAN: THEORY AND PRACTICE

  Nataliya BYELIK-ZOLOTAROVA, Olena BATOVSKA, Natalya ZOLOTARYOVA, Yuliia IVANOVA, Olena ZAVERUKHA, Tetiana SUKHOMLINOVA

  59-82

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• THE ROLE OF HEARING AND LISTENING IN THE PERFORMER OF CLASSICAL MUSIC

  Ana SZlLAGYI

  83-93

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• PERFORMANCE PROJECTS OF ARTS STUDENTS AS A FACTOR IN SHAPING NATIONAL CONSCIOUSNESS

  Ganna KONDRATENKO, Yana KYRYLENKO, Olena IVANENKO, Vira SYNIEOK, Kostiantyn KALIIEVSKYI, Inna TKACHENKO

  95-119

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• EXPLORING LEARNING AND UNLEARNING (III): MENTAL TRAINING FOR PROFESSIONAL SINGERS

  Cristina RADU

  121-144

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• EMOTIONAL EXPRESSION IN PERFORMING ARTS: A PSYCHOLOGICAL AND MUSICIAN ANALYSIS

  Tetiana KRYLOVA, Veronika PIESHKOVA, Vilena ZHOLDAKOVA, Ihor MOKRENKO, Tetiana RUSOVA

  145-171

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• STRUCTURAL AWARENESS AS SHARED INTERPRETIVE COMPETENCE IN DUO PERFORMANCE

  Anca PREDA-ULITA

  173-183

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• AUDITORY–MOTOR THINKING AS AN INTENTIONAL STRUCTURE OF MUSICAL PERFORMANCE: PHENOMENOLOGICAL AND SEMIOTIC DIMENSIONS

  Vitalіi ZAIETS, Oksana ZAIETS, Oleksandr BENZIUK, Yuliia ZAIETS

  185-196

  • pdf