DEVELOPMENT OF CHILDREN’S SINGING VOICE

Authors

  • Andrea ASZTALOS Department of Music Education, Juhász Gyula Faculty of Education, University of Szeged, Szeged, Hungary, Assistant Professor, E-mail: asztalos.andrea@szte.hu https://orcid.org/0000-0002-7584-3294

DOI:

https://doi.org/10.24193/subbmusica.2021.1.03

Keywords:

children, development, singing ability, singing voice, vocal problems

Abstract

The purpose of this paper is to present which are the most common children’ singing voice production problems and to demonstrate what role it is the posture, articulation, breathing, movements, imaginations and vocal warm-ups in correction of children’s vocal production problems. The research methods used included observations and self-studies. 100 school children participated in this study. This research identified five key vocal production problems: 1. singing exclusively in the chest register; 2. “compressed” singing voice; 3. “too airy” or “veiled” voice; 4. “skinny” voice; 5. out-of-tune singing. The reasons for and the characteristics of several different kinds of vocal production issues and several remedial exercises for them are described in this paper.

REZUMAT. DEZVOLTAREA VOCII CÂNTATE LA COPII. Scopul acestei lucrări este de a prezenta care sunt cele mai frecvente probleme de intonație a vocii cântate a copiilor și de a demonstra ce rol are postura, articulația, respirația, mișcările, imaginația și încălzirea vocală în corectarea problemelor de producție vocală a copiilor. Metodele de cercetare utilizate au inclus observații și auto-studii. La acest studiu au participat 100 de școlari. Această cercetare a identificat cinci probleme cheie de producție vocală: 1. cântarea exclusivă în registrul toracic; 2. voce cântată „comprimată”; 3. voce „prea aerisită” sau „voalată”; 4. voce „slabă”; 5. cântarea necorespunzătoare. În această lucrare sunt descrise motivele și caracteristicile diferitelor probleme de producție vocală și mai multe exerciții de remediere pentru acestea.

Cuvinte cheie: copii, dezvoltare, capacitate de a cânta, voce cântată, probleme vocale

References

Davidson, L. Songsinging by young and old: a developmental approach to music. In R. Aiello with J. Sloboda (Eds.), Musical Perceptions. New York: Oxford University Press, 1994, pp. 99-130.

Dowling, W. J. The development of music perception and cognition. In D. Deutsch (Ed.), The Psychology of Music, 2nd Edition. London: Academic Press, 1999, pp. 603-625.

Fox, D. B. An analysis of the pitch characteristics of infant vocalizations. Psychomusicology, 9, 1990, pp. 21-30.

Gembris, H. The development of musical abilities. In: Colwell, R. (Eds.): MENC handbook of musical cognition, Oxford University Press, New York, 2006.

Hargreaves, D. J. The developmental psychology of music. Cambridge: Cambridge University Press, 1986.

Hargreaves, D.J. The development of artistic and musical competence. In I. Deliege & J. Sloboda (Eds.), Musical Beginnings. Oxford: Oxford University Press, 1996, pp. 145-170.

Johnstone, T., & Scherer, K.R. Vocal communication of emotion. In M. Lewis & J.M. Haviland-Jones (Eds.), Handbook of emotions. New York: Guildford Press, 2000, pp. 220-235.

Kodály, Z. Hungarian Music Education. In F. Bónis (Ed.), The Selected Writings of Zoltán Kodály. London: Boosey & Hawkes (Original work published 1945) 1974, pp. 152-156.

Kodály, Z. Who is a good musician. In F. Bónis (Ed.), The Selected Writings of Zoltán Kodály. London: Boosey & Hawkes (Original work published 1953) 1974, pp. 193-196.

Masataka, N. Pitch characteristics of Japanese maternal speech to infants. Journal of Child Language 19, 1992, pp. 213-223.

Metzler, F. Strukturen kindlicher Melodik. Psychologische Beiträge, 7, 1962, pp- 218-284.

Minkenberg, H. Das Musikerleben von Kindern im Alter von fünf bis zehn Jahren. Frankfurt: Peter Lang, 1991.

Moog, H. The musical experience of the pre-school child. (trans. C. Clarke). London: Schott, 1976.

Mohr, A. Handbuch der Kinderstimmbildung. Mainz: Schott, 2013.

Nawrot, E.S. The perception of emotional expression in music: evidence from infants, children, and adults. Psychology of Music, 31(1), 2003. pp. 75-92.

Nitzsche, N. Die Pflege der Kinder-, und Jugendstimme. Mainz: Schott, 1970.

Papousek, M. Vom ersten Schrei zum ersten Wort. Anfänge der Sprachentwicklung in der vorsprachlichen Kommunikation. Bern: Huber. 1994.

Papousek, H. “Musicality in infancy research: Biological and cultural origins of early musicality”. In I. Deliége & J. A. Sloboda (Eds), Musical beginnings: Origins and development of musical competence. Oxford: Oxford University Press, 1996, pp. 37-55.

Papousek, M. Intuitive parenting: a hidden source of musical stimulation in infancy. In I. Deliege & J. Sloboda (Eds.), Musical Beginnings. Oxford: Oxford University Press, 1996, pp. 88-112.

Pfordresher, P. Q., & Mantell, J. T. Singing with yourself: Evidence for an inverse modeling account of poor-pitch singing. Cognitive Psychology, 70, 2014, pp. 31-57.

Ruzza, B., Rocca, F., Boero, D.L., & Lenti, C. Investigating the musical qualities of early infant sounds. In G. Avanzini, C. Faienza, D. Minciacchi, L. Lopez, & M. Majno (Eds.), The neurosciences and music (Vol. 999). New York: Annals of the New York Academy of Sciences. 2003, pp. 527-529.

Stadler, S. Spiel und Nachahmung: Über die Entwicklung der elementaren musikalischen Aktivitäten. Aarau: Nepomuk, 2000.

Stadler Elmer, S. Kinder singen Lieder: Über den Prozess der Kultivierung des vokalen Ausdrucks. Münster: Waxmann, 2002.

Shuter-Dyson, R, Gabriel, C. The psychology of musical ability. London: Methuen, 1981.

Sundberg, J. Emotive transforms. Phonetica, 57, 2000, pp. 95-112.

Tafuri, J., & Villa, D. Musical elements in the vocalizations of infants aged 2 to 8 months. British Journal of Music Education, 19(1), 2002, pp. 73-88.

Thurman, L., & Welch, G.F. (Eds.) Bodymind and Voice: Foundations of Voice Education. Revised Edition. Iowa City, Iowa: National Center for Voice and Speech, 2000.

Trehub, S.E. Musical predispositions in infancy. In R. J. Zatorre & I. Peretz (Eds.), The Biological Foundations of Music (Vol. 930). New York: Annals of the New York Academy of Sciences, 2001, pp.1-16.

Vihman, M.M. Phonological development. Oxford: Blackwell, 1996.

Welch, G. F. Singing as communication. In D. Miell, R. MacDonald & D. J. Hargreaves (Eds.), Musical Communication. New York: Oxford University Press, 2005a, pp.239-259.

Welch, G. F. The musical development and education of young children. In B. Spodek & O. Saracho (Eds.), Handbook of Research on the Education of Young Children. Mahwah, N.J.: Lawrence Erlbaum Associates Inc. 2005b, pp. 251-267.

Welch, G.F. Singing and Vocal Development. In: G. McPherson (Ed.), The Child as Musician. New York: Oxford University Press, 2006, pp.311-329.

Welch, G. F., White, P. “The developing voice Education and vocal efficiency – A physical perspective”. Council for Research in Music Education, Bull. no. 119, 1994, pp. 146-156.

Downloads

Published

2021-06-30

How to Cite

ASZTALOS, A. (2021). DEVELOPMENT OF CHILDREN’S SINGING VOICE. Studia Universitatis Babeș-Bolyai Musica, 66(1), 39–54. https://doi.org/10.24193/subbmusica.2021.1.03

Issue

Section

Articles

Similar Articles

<< < 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 > >> 

You may also start an advanced similarity search for this article.