The Socio-Political Implications of the 20ᵗʰ Century Narratives on Indian Dances

Authors

  • Suryadevara SINDHUJA Department of Dance, University of Hyderabad, India. sindhuja@uohyd.ac.in

DOI:

https://doi.org/10.24193/subbdrama.2019.1.06

Keywords:

Classical, Kūcipūḍi, Nationalism, Culture, Tradition, Identity

Abstract

From mentions of dance in treatises as old as 2ⁿᵈ century to regional variations around 13ᵗʰ century to the 20ᵗʰ century - dance has travelled, traversed and evolved. When the agenda of Nationalism was in vogue during pre and post-independence periods, there was a necessity to produce something unique to the nation and make a point about its rich heritage. Dance was one effective medium that served as a cultural symbol. This very notion modified the course of dance, its form and structure. The ancient practices were modified and tailor-made to suit agendas of the time and popular choices. This paper attempts to understand this phenomenon of how the socio-political ideologies have affected the Indian classical dances. The focus would be on the political affiliations specific to the Kūcipūḍi form of dance.

Author Biography

Suryadevara SINDHUJA, Department of Dance, University of Hyderabad, India. sindhuja@uohyd.ac.in

SINDHUJA SURYADEVARA is a research scholar and practitioner of Kuchipudi. She received initial training from Smt. Madhavi, Smt. Padma Kalyan and Sri Vedantam Raghava and since 2005 is under the guidance of Dr. Yashoda Thakore. Sindhuja composes dance for compositions included in her repertoire (both solo and group presentational styles) aspiring to achieve a unique style, drawing inspiration from readings/texts and other dances.

References

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Published

2019-03-30

How to Cite

SINDHUJA, S. (2019). The Socio-Political Implications of the 20ᵗʰ Century Narratives on Indian Dances. Studia Universitatis Babeș-Bolyai Dramatica, 64(1), 99–108. https://doi.org/10.24193/subbdrama.2019.1.06

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