Volume 62, No. 2, October 2017

STUDIA UBB DRAMATICA, Volume 62 (LXII), No. 2, October 2017

Volume 62, No. 2, October 2017, ISSUE DOI: 10.24193/subbdrama.2017.2.
Also, the volume can be found in the Archive of the Studia UBB Dramatica official website: https://www.dramatica.ro/

Thematic Issue:

New Perspectives in Theatre History and Criticism

DOI: https://doi.org/10.24193/subbdrama.2017.2

Published: 2017-10-31

Full Issue

Articles

Arguments for a Historical Examination of the Discourse of Theatre and Film Criticism

Miruna RUNCAN

9-22
- PDF
Theatre Inauguration Ceremony and Symbolic Representation

Katalin Ágnes BARTHA

23-50
- PDF
Romanian Theatre Criticism during the Stalinist Era. Construction and Deconstruction of the Critical Discourse

Alexandra-Emma PEDESTRU

51-68
- PDF
A Theatre for the Workers, Protest as Performance, and the Political Police as (Art) Historian. A Plea for the Rediscovering of Interwar Peripheries

Iulia POPOVICI

69-86
- PDF
The coronation of “the accompanying comrade” Sică Alexandrescu – A case study

Miruna RUNCAN

87-113
- PDF
Ancient “choreia” in neurocognitive context

Tomasz CIESIELSKI

115-130
- PDF
Gianina Cărbunariu's theatre, a form of memory in recent history

Oltița CÎNTEC

131-141
- PDF
La théâtralité du tableau vivant dans le théâtre de Samuel Beckett: une perspective néo-avant-gardiste

Ştefana POP-CURŞEU

143-159
- PDF
The Evolution of the Milicier Film Genre in Communist Romania

Ion INDOLEAN

161-171
- PDF
To curate a part of one’s soul. Transplanting a performance in three (radically) different spaces

Raluca LUPAN

173-186
- PDF
An Approach to Teaching Digital Interactive Performance

Rodica MOCAN

189-220
- PDF
In Search of the Theatrical Unit of Meaning: Exploring Mnemonic by Simon McBurney

Ana BOARIU

221-239
- PDF

Interviews and Case Studies

“I’ve always believed that a critical spirit comes with creative features”. Interview with Cristina Modreanu, theatre critic, curator, editor in chief of Scena.ro magazine

Miruna RUNCAN

243-248
- PDF
The Future of Memory Project

Olga STEFAN

249-269
- PDF

Volume 62, No. 2, October 2017

Full Issue

Articles

Arguments for a Historical Examination of the Discourse of Theatre and Film Criticism

Theatre Inauguration Ceremony and Symbolic Representation

Romanian Theatre Criticism during the Stalinist Era. Construction and Deconstruction of the Critical Discourse

A Theatre for the Workers, Protest as Performance, and the Political Police as (Art) Historian. A Plea for the Rediscovering of Interwar Peripheries

The coronation of “the accompanying comrade” Sică Alexandrescu – A case study

Ancient “choreia” in neurocognitive context

Gianina Cărbunariu's theatre, a form of memory in recent history

La théâtralité du tableau vivant dans le théâtre de Samuel Beckett: une perspective néo-avant-gardiste

The Evolution of the Milicier Film Genre in Communist Romania

To curate a part of one’s soul. Transplanting a performance in three (radically) different spaces

An Approach to Teaching Digital Interactive Performance

In Search of the Theatrical Unit of Meaning: Exploring Mnemonic by Simon McBurney

Interviews and Case Studies

“I’ve always believed that a critical spirit comes with creative features”. Interview with Cristina Modreanu, theatre critic, curator, editor in chief of Scena.ro magazine

The Future of Memory Project

Performance and Book Reviews

New Dramatic Structures, Negotiable Imaginary Spaces. On Assuming the Experimental Condition Theatre review of “M.I.S.A. PĂRUT”, by Alexa Bacanu, a production of Reactor, Cluj, directed by Dragoș Alexandru Muşoiu and Reacting Chernobyl, based on texts b

Surviving Change. On the Metamorphoses of Theatre Criticism. Duška Radosavljević (Ed.) “Theatre Criticism. Changing Landscapes”, London: Bloomsbury, 2016

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