Volume 64, No. 1, March 2019

STUDIA UBB DRAMATICA, Volume 64 (LXIV), No. 1, March 2019

Volume 64, No. 1, March 2019, ISSUE DOI: 10.24193/subbdrama.2019.1.
Also, the volume can be found in the Archive of the Studia UBB Dramatica official website: https://www.dramatica.ro/

Special Thematic Issue
Between Shaping Mirrors: Discourses on Performing Arts
Issue Editor: Mihai Pedestru

DOI: https://doi.org/10.24193/subbdrama.2019.1

Published: 2019-03-30

Full Issue

Forewords

Foreword

Mihai PEDESTRU

7-8
- PDF

Articles

Cultural Managers on Cultural Management Practices in Romania

Ivona TĂTAR-VÎSTRAȘ

11-30
- PDF
The Actor Lost in Translation? Competence vs. Presence in the Teacher-Director’s Stage Directions

Filip ODANGIU

31-46
- PDF
The Rhetorical and Stylistic Evolution of Theatre Reviews at the End of the 50s. The Disobedient – Case Study

Miruna RUNCAN

47-62
- PDF
Finding Words for Dance from a Choreological Perspective

Andrea GAVRILIU

63-79
- PDF
“Ours is not to be a Producer’s Theatre, nor an Actor’s Theatre; it is to be a Writer’s Theatre”

Răzvan MUREȘAN

81-98
- PDF
The Socio-Political Implications of the 20ᵗʰ Century Narratives on Indian Dances

Suryadevara SINDHUJA

99-108
- PDF
What’s Hecuba to him or he to Hecuba?

Camelia CURUȚIU-ZOICAȘ

109-124
- PDF
Political Configuration in the Dramaturgy of AbdulRasheed Adeoye

Stephen OGHENERURO OKPADAH

125-139
- PDF
Intimate Dialogue with “The Bee Inside the Head”

Raluca BLAGA

141-155
- PDF
How to „Read” a Dance Theatre Performance?

Alexandra FELSEGHI

157-164
- PDF
Rencountering Oneself. Reshaping the Body-Mind Unity in the Acting Classroom

Raluca LUPAN

165-176
- PDF
Research in Film and Video: Artists Using Their Bodies in Cinematic Experiments

Ligia SMARANDACHE

179-189
- PDF
The Experiential Turn: Ways of Exploring the Past Through Enhanced Senses in Digital Performance Arts

Rodica MOCAN

191-207
- PDF
About the Actor’s Reality and the Things We See. Can an Actor Create Reality Through Fiction, or Does He Merely Imitate It?

András HATHÁZI

209-216
- PDF

Volume 64, No. 1, March 2019

Full Issue

Forewords

Foreword

Articles

Cultural Managers on Cultural Management Practices in Romania

The Actor Lost in Translation? Competence vs. Presence in the Teacher-Director’s Stage Directions

The Rhetorical and Stylistic Evolution of Theatre Reviews at the End of the 50s. The Disobedient – Case Study

Finding Words for Dance from a Choreological Perspective

“Ours is not to be a Producer’s Theatre, nor an Actor’s Theatre; it is to be a Writer’s Theatre”

The Socio-Political Implications of the 20ᵗʰ Century Narratives on Indian Dances

What’s Hecuba to him or he to Hecuba?

Political Configuration in the Dramaturgy of AbdulRasheed Adeoye

Intimate Dialogue with “The Bee Inside the Head”

How to „Read” a Dance Theatre Performance?

Rencountering Oneself. Reshaping the Body-Mind Unity in the Acting Classroom

Research in Film and Video: Artists Using Their Bodies in Cinematic Experiments

The Experiential Turn: Ways of Exploring the Past Through Enhanced Senses in Digital Performance Arts

About the Actor’s Reality and the Things We See. Can an Actor Create Reality Through Fiction, or Does He Merely Imitate It?

Performance and Book Reviews

The Bed Project

Layers behind the moment. Nele Wynants, ed., “Media Archaeology and Intermedial Performance” (London: Palgrave Macmillan, 2019)

Le dilemme du texte en scène. Joseph Danan, « Absence et Présence du texte théâtral », (Arles: Actes Sud-Papiers, 2018)

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