Volume 60, No. 2, October 2015

STUDIA UBB DRAMATICA, Volume 60 (LX), No. 2, October 2015

Volume 60, No. 2, October 2015
Also, the volume can be found in the Archive of the Studia UBB Dramatica official website: https://www.dramatica.ro/

Thematic issue

Spectator’s Body, Emotions & Empathy

Published: 2015-10-30

Full Issue

Articles

Strategies for the Embodiment and Disembodiment of Spectatorship: “Don’t Cry Baby” and “Hotel” by Eugen Jebeleanu

Miruna RUNCAN

9-26
- PDF
Trisomic Stages: Theater Hora and Jerome Bel’s Genetically Modified Theater

Debra LEVINE

27-53
- PDF
“Why won’t you help me … shave my head?” Critical autoethnography and understanding affective response to an act of critical vulnerability in solo performance

Laurelann PORTER

55-66
- PDF
Shame. Spectatorship Strategies in Historical Documentary Theatre

Iulia POPOVICI

67-75
- PDF
Extension of Performativity by a BCI

Alexandru BERCEANU, Cătălin CREȚU, Grigore BURLOIU, Dragoș CÂRNECI

77-100
- PDF
“Paradissolution” – Ritual Communion within the Spectator- Performer Frame in “Parallel”

Beatrice LĂPĂDAT

101-122
- PDF
From effect to affect: narratives of passivity and modes of participation of the contemporary spectator

Ana PAIS

123-149
- PDF
Analyse sémiotique, identification kinesthésique, engagement du spectateur : quelle réception pour la danse-théâtre ?

Claudia BLOUIN

151-160
- PDF
Towards Embodied Spectatorship

Ramunė BALEVIČIŪTĖ

161-172
- PDF
The Theatrical Double Reflexivity Complex: How the Spectator Creates Metatheatre

Alex CAHILL

173-188
- PDF
Dramatic Space and Performer’s Body, a Case Study

Marina CRISTEA

189-198
- PDF
Mug shot: Transraciality – Analysing the race with race in art

Andrei Tiberiu MĂJERI

199-216
- PDF
The battle for the neuron’s wings

Raluca BLAGA

217-229
- PDF
Spectators or Participants? A Major Creative Shift in Performing Arts or a Change of Status? (Remarks on a Process)

Marian POPESCU

233-238
- PDF
Who is the Audience? (And what is theater?)

Mihai PEDESTRU

239-245
- PDF
Alternative Theatre in Poland and the Communist Dystopia

Anda CADARIU

247-158
- PDF
The Casting or the Two-Headed Spectator – a give and take process –

Diana ALDEA

259-271
- PDF

Interviews and Case Studies

“Each of us at Cricot-2 had their own personal Kantor” Interview with Teresa and Andrzej Wełmiński, renowned actors of the Cricot-2 Theatre

Eugen WOHL

273-286
- PDF

Performance and Book Reviews

The End of Directing – A Foundation Study for Contemporary European Theatre Making. Iulia Popovici (ed.), “The End of Directing, The Beginning of Theatre-Making and Devising in European Theatre”, 2015, 327 p., ISBN : 978-606-8437-56-9, Sibiu International Theatre Festival Book Collection.

Eugen WOHL

289-307
- PDF

Volume 60, No. 2, October 2015

Full Issue

Articles

Strategies for the Embodiment and Disembodiment of Spectatorship: “Don’t Cry Baby” and “Hotel” by Eugen Jebeleanu

Trisomic Stages: Theater Hora and Jerome Bel’s Genetically Modified Theater

“Why won’t you help me … shave my head?” Critical autoethnography and understanding affective response to an act of critical vulnerability in solo performance

Shame. Spectatorship Strategies in Historical Documentary Theatre

Extension of Performativity by a BCI

“Paradissolution” – Ritual Communion within the Spectator- Performer Frame in “Parallel”

From effect to affect: narratives of passivity and modes of participation of the contemporary spectator

Analyse sémiotique, identification kinesthésique, engagement du spectateur : quelle réception pour la danse-théâtre ?

Towards Embodied Spectatorship

The Theatrical Double Reflexivity Complex: How the Spectator Creates Metatheatre

Dramatic Space and Performer’s Body, a Case Study

Mug shot: Transraciality – Analysing the race with race in art

The battle for the neuron’s wings

Spectators or Participants? A Major Creative Shift in Performing Arts or a Change of Status? (Remarks on a Process)

Who is the Audience? (And what is theater?)

Alternative Theatre in Poland and the Communist Dystopia

The Casting or the Two-Headed Spectator – a give and take process –

Interviews and Case Studies

“Each of us at Cricot-2 had their own personal Kantor” Interview with Teresa and Andrzej Wełmiński, renowned actors of the Cricot-2 Theatre

Performance and Book Reviews

The End of Directing – A Foundation Study for Contemporary European Theatre Making. Iulia Popovici (ed.), “The End of Directing, The Beginning of Theatre-Making and Devising in European Theatre”, 2015, 327 p., ISBN : 978-606-8437-56-9, Sibiu International Theatre Festival Book Collection.

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