CHARLES MARIE WIDOR’S GOTHIQUE AND ROMANE SYMPHONIES – THE SPIRITUAL STATEMENTS OF A GRAND COMPOSER

Authors

  • Noémi BOGNÁR MIKLÓS Babeş-Bolyai University, Faculty of Reformed Theology, Musical Pedagogy Department, RO–400535 Cluj-Napoca, Horea str. 7. E-mail: bommimmi@freemail.hu https://orcid.org/0000-0003-4965-4921

Keywords:

Charles Marie Widor, Symphonie Gothique, Symphonie Romane, analysis

Abstract

In the following work I tried to present the last two symphonies composed by one of the greatest representatives of the French symphonic style: Charles Marie Widor.

References

Busch, Hermann J. - Geuting, Matthias, Lexikon der Orgel, Laaber ed.

Faber, Rudolf and Hartmann, Philip, Handbuch Orgelmusik, Bärenreiter Verlag Karl Votterle GmbH&Co.

Klotz, Hans, Das Buch von der Orgel, Bärenreiter Edition.

Laukvik, Jon, Orgelschule zur historischen Auffuhrungspraxis, Teil II. – Romantik, Carus Verlag, Stuttgart.

Van Oosten, Ben, Ch. M. Widor, Complete organ works, vol. 5 and 6, Dabringhaus und Grimm Musikproduktion.

Websites:

http://www.basilique-st-sernin-toulouse.fr/

http://en.wikisource.org/wiki/Catholic_Encyclopedia_(1913)/Abbey_of_Saint-Ouen

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Published

2009-06-30

How to Cite

BOGNÁR MIKLÓS, N. (2009). CHARLES MARIE WIDOR’S GOTHIQUE AND ROMANE SYMPHONIES – THE SPIRITUAL STATEMENTS OF A GRAND COMPOSER. Studia Universitatis Babeș-Bolyai Musica, 54(1), 207–217. Retrieved from https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/9041

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