GEORGES ENESCO’S MUSICAL INFLUENCE ON THE FOLLOWING GENERATIONS – REALITY OR IDENTITY JUSTIFICATION?
Keywords:
Enesco, Romanian music, contemporary music, folklore, Brăiloiu, identityAbstract
Georges Enesco, performer, conductor and composer, represents the indispensable reference for the Romanian composers. His propose of a specific musical school was a solution both for traditionalists and modernists; on the one hand, in the case of composers who over appreciated the native Romanian space, he was seen like a justification for their own folklore’s affiliation; on the other hand, those composers who depreciate the native space, could justify themselves as followers of Enesco’s modernism. But, in the two cases, Enesco represented the “right” solution.
References
Cosma, Viorel, Enescu azi (Enesco today), Facla, Timişoara, 1981.
Enesco, Georges, Interviuri I (Interviews), in: Manolache, Laura (éd.), Editura muzicală, Bucureşti, 1988.
Georgescu, Corneliu Dan, …succesul muzicii româneşti depinde de succesul României pe plan politic sau economic… (The Romanian music success depends of the Romanian politic or economic success), in: Muzica, Bucureşti, 2002, n° 2, p. 4-18.
Ghezzo, Dinu, Este de remarcat supravieţuirea şcolii noastre în lunga perioadă a dictaturii comuniste (We have to appreciate the survival of our school in the long communist period), in: Muzica, Bucureşti, 2002, n° 4, p. 4-5.
Niculescu, Ştefan, Georges Enesco et le langage musical de XXe siècle (Georges Enesco and the XXth century musical language), in: Studii de muzicologie, Bucureşti, 1968, vol. IV, p. 87-102.
Niculescu, Ştefan, Reflecţii despre muzică (Thoughts on Music), Editura Muzicală, Bucureşti, 1980, 295 pages.
Stan, Luana, Octavian Nemescu – Oboseala care urmează unui fenomen de efer-vescenţă (Octavian Nemescu – The overtiredness that comes after the effervescence), in: Muzica, Bucureşti, 2001, n° 4, p. 8-15.
Stan, Luana, Ştefan Niculescu – Un public al muzicii moderne (Stefan Niculescu – A modern music public), in: Muzica, Bucureşti, 2001, n° 4, p.15-17.
Wendel, Eugen, Secolul XX reprezintă aproape întreaga istorie a muzicii din România (The XXth century represents the whole Romanian music history), in: Muzica, Bucureşti, 2002, n° 3, p. 9-10.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2011 Studia Universitatis Babeș-Bolyai Musica
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
