L’INFLUENCE DE L’ART POPULAIRE SUR L’ART SAVANT: RÉFÉRENCES ESTHÉTIQUES AUX CRÉATIONS ROUMAINES DANS LA PREMIÈRE MOITIÉ DU XXᵉ SIÈCLE

Authors

  • Liliana-Isabela APOSTU HAIDER Professeur au Collège Henry Matisse, Nice, France, Contact e-mail: lilianaisa@aol.com

Keywords:

popular, learned art, sonority, interpretation, assimilation, culture, influences, aesthetics fields in music and art

Abstract

The Influence of the Folk Art on the Savant Art: Aesthetic References to the Romanian Creations in the First Half of the XXth Century. The present study aims at contributing to the development of the knowledge of the compositions of George Enescu and Béla Bartók, stemming from a direct contact of their creators, (formed at the school of the learned musical tradition), with the popular music. Besides, this work proposes a new approach of the interaction between both domains seemingly set, by referring to the violonistique interpretation. The popular musicians of Rumania influenced the thought of both composers, who likened not only popular elements of the language and the directory, but also techniques of instrumental play. It was thus necessary to study the ethno musicological aspects strictly connected to the Rumanian popular tradition, and the anthropological aspects, aiming at the relation of the art with the human society, which produces it. This research joins in the field of the human sciences, because, the art, learned or popular, is produced by the man and addresses the society.

References

Bartók, Béla, Éléments d’un autoportrait, textes réunis, traduits et présentés par

J. Gergely, L’Asiathèque, Paris, 1995.

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Blaga, Lucian, Trilogia culturii (The Trilogy of the Culture), the Edition of the Regal Foundation for Literature and Art, Bucharest, 1940.

Blaga, Lucian, Etnografie şi artă (Ethnography and Art), in: Opere (the Works), vol. 7, Minerva Publishing House, Bucharest, 1980.

Blacking, John, Le sens musical, Les Éditions de Minuit, Paris, 1980.

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Firca, Clemansa Liliana, Modernitate şi avangardă în muzica ante şi interbelică a secolului XX, (Modernity and Avant-Garde in the Music of the Ante- and Inter- Wars Period of the 20th Century), the Romanian Cultural Foundation Edition, Bucharest, 2002.

Manolache, Laura, George Enescu, Interviuri din presa românească 1898-1946 (George Enescu – Interviews from the Romanian Press 1898-1946), the Musical Publishing House, Bucharest, 2005.

Sabatier, François, Miroirs de la musique, Paris, Fayard, 1995.

Schönberg, Arnold, La musique folklorique et le nationalisme, in : Style and Idea, New York, 1950, [Le style et l’Idée, écrits réunis par L. Stein, tr. fr., Paris, Buchet - Chastel, 1977, nouvelle Édition 2002].

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Published

2011-06-30

How to Cite

APOSTU HAIDER, L.-I. (2011). L’INFLUENCE DE L’ART POPULAIRE SUR L’ART SAVANT: RÉFÉRENCES ESTHÉTIQUES AUX CRÉATIONS ROUMAINES DANS LA PREMIÈRE MOITIÉ DU XXᵉ SIÈCLE. Studia Universitatis Babeș-Bolyai Musica, 56(1), 41–57. Retrieved from https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8898

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Articles

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