THE GENEVAN PSALMS (1562) IN THE HUNGARIAN CHORAL LITERATURE

Authors

  • Éva PÉTER Babeş-Bolyai University, Faculty of Reformed Theology, Musical Pedagogy Department, RO-400535, Cluj-Napoca, Horea str. 7. E-mail: evapeter@hotmail.com https://orcid.org/0000-0003-2300-0575

Keywords:

psalms in prose, paraphrases of psalms, genevan psalms, cantus-firmus-motetta technique, polyphonic imitation technique

Abstract

At the middle of the 20th century in a time of the upturn of the general musical culture Hungarian composers having experience with ecclesiastical music created adaptations of various levels of difficulty for the tunes of the Genevan psalms. In 1979 a representative volume entitled Hungarian Psalms edited by Sándor Arany was created, a volume that contained the adaptations. Selecting from this volume I would mention Jenő Ádám’s 8. Psalm, Lajos Bárdos’s 23. Psalm, Zoltán Kodály’s 50. Psalm and 114. Psalm.

References

***, Magyar Zsoltárok [Hungarian Psalms], edited by Sándor Arany, Református Zsinati Iroda Sajtóosztálya, Budapest, 1979.

Csomasz Tóth, Kálmán, Református gyülekezeti éneklés, Egyetemes Konvent kiadása, Budapest, 1950.

Fekete, Csaba, Zsoltár szavunk történetéhez [On the History of the Word ’Psalm’ in Hungarian], in: Magyar nyelvőr, volume 126, no. 2002/3.

Ittzés, Mihály, Bárdos Lajos, Magyar Zeneszerzők 36., Mágus kiadó, Budapest, 2009.

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Published

2012-12-30

How to Cite

PÉTER, Éva. (2012). THE GENEVAN PSALMS (1562) IN THE HUNGARIAN CHORAL LITERATURE. Studia Universitatis Babeș-Bolyai Musica, 57(2), 29–40. Retrieved from https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8895

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