Employing Theatrical Techniques in Documentary Film
DOI:
https://doi.org/10.24193/subbdrama.2025.1.06Keywords:
theatre, documentary, social impact, trauma representation, history revisitedAbstract
This paper examines the intersection between documentary filmmaking and theatre, arguing that this fusion transcends traditional objective representations of reality. By incorporating elements of theatre, such as narrative structure, performance, and audience interaction, documentaries can offer deeper, more artistic explorations of complex realities and the human condition. Through the analysis of several films that exemplify this approach, the study demonstrates how theatrical techniques in documentary not only broaden the genre’s artistic possibilities but also provide unique insights into historical, social, and personal contexts. This approach transforms documentaries into powerful tools for emotional and intellectual engagement, capturing the transformative journey of performers and their impact on both the film’s subject and the audience, ultimately expanding the scope of documentary filmmaking.
References
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Films
Niewiera, Elwira, and Piotr Rosolowski, Hamlet Syndrome (Syndrom Hamleta). 2022.
Slijepcević, Nebojsa, Srbenka. 2018.
Taviani, Paolo, and Vittorio Taviani, Cesar Must Die (Cesare deve morire). 2012.
Mihăilescu, Sebastian, For Me You Are Ceausescu (Pentru mine tu ești Ceaușescu). 2021.
Solomon, Alexandru, Arsenie. An Amazing Afterlife (Arsenie. Viața de apoi). 2023.
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