LE PROLOGUE – CONFIGURATIONS STYLISTIQUES

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Keywords:

prologue, baroque opera, lyrical theatre, drama, libretto, personage/ character, performance, spectator

Abstract

Prologue - theatrical convention at the ancient Greeks was assumed since the beginning in the structure of baroque opera. Distinguished section, with a clear functionality - to present the resume of the piece with the major themes and to take the goodwill of the public, the Prologue had various stylistic configurations. The study presents the most important and significant titles of opera “with” prologue and dramaturgical metamorphosis of this concept.

References

***, Dicţionar Explicativ al Limbii Române (Dictionnaire explicatif roumain), Academia Română, Editura Univers Enciclopedic, Bucureşti, 1998

***, Dictionnaire de la Musique, Édition Bordas, Paris, 1977

***, Dictionnaire de la Musique vocale – lyrique, réligieuse et profane, Marc Honneger & Paul Prévost, Édition Larousse Bordas, 1998

***, Dictionnaire des Personnages, Éditon Lafont-Bompiani, Paris, 1962

***, Enciclopédie de la Musique, Édition Fasquelle, Paris

***, Larousse – Dictionnaire des Grands Musiciens, Paris, 1985

***, The New Grove Dictionary of Music and Musicians, Macmillan Publishers, London, 1992

Bulgakov, Mihail, Viaţa Domnului de Molière (La Vie de Monsieur de Molière), Ed. Junimea, 1976

Constantinescu, Grigore, Ghid de Operă (Guide d’Opéra), Editura Muzicală, Bucureşti, 1971.

Kobbé, Gustave, Tout l’Opéra, Edition Robert Lafont, 1993.

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Published

2010-12-30

How to Cite

BIHARI, A.-F. (2010). LE PROLOGUE – CONFIGURATIONS STYLISTIQUES. Studia Universitatis Babeș-Bolyai Musica, 55(2), 109–122. Retrieved from https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/9007

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