TODUŢĂ’S “ANTIQUES”
Keywords:
Sigismund Toduţă, Stile antico, old engravings, danza, string orchestra, sinfonietta, sonatina, folkloric, rhetoric, ostinato, variationsAbstract
Delightful musical pages, the Concerto no. 3 for string orchestra “in stile antico”, Old engravings for string orchestra and the Sinfonietta “in antico stile” by Sigismund Toduţă are among the “classical” works due to the ingenuity of the modal, poly-metric themes, with a local, jovial or elegy-like air, imprinted on the most elaborate patterns of variational forms, imitative polyphonic or with refrain and rendered by extremely refined orchestration. The purpose of the present paper was to reveal the relation between these works and the universality of their language.
References
Herman, Vasile, Formă şi stil în creaţia compozitorului Sigismund Toduţă (Form and style in the works of Sigismund Toduţă) in: „Studii toduţiene” (“Studies on Toduţă”), Editura MediaMusica, Cluj-Napoca, 2004.
Oprea, Gheorghe and Agapie, Larisa, Folclor Muzical Românesc (Romanian Musical Folklore), Editura Didactică şi Pedagogică, Bucharest, 1983.
Toduţă, Sigismund and Türk, Hans Peter, Formele muzicale ale barocului în operele lui J.S. Bach (The Musical Forms of the Baroque in the works of J.S. Bach), vol. II, Editura muzicală a Uniunii Compozitorilor, Bucharest, 1973.
Türk, Hans Peter, Variaţiunile pe ostinato în creaţia lui Sigismund Toduţă (Variations on ostinato in the works of Sigismund Toduţă), in: Lucrări de muzicologie (Musicology Papers), vol. XIV, Cluj-Napoca, 1979.
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