The Relationship between Color and Music in the Art of Composer Ede Terényi

Authors

  • Gabriela COCA Babeș-Bolyai University, Faculty of Reformed Theology and Music, Music Department. E-mail: gabriela.coca.66@gmail.com; gabriela.coca@ubbcluj.ro https://orcid.org/0000-0002-9103-186X

DOI:

https://doi.org/10.24193/subbmusica.2023.2.05

Keywords:

Ede Terényi, composer, music compositions, colors, tonalities, graphics.

Abstract

From his early youth, the composer lived his whole life under the spell of colors and color combinations. His talent as an artist was already apparent at the age of six, when, in addition to his piano studies, he enjoyed drawing plants and flowers in school notebooks. He kept his first vase, on one side of which he drew a bouquet of flowers sprouting from a heart on a bright pale green background when he was in high school, and on the other side a deer flying through a bush and a pine tree. She always felt a special fascination for the pine tree, seeing it as a symbol, its scent, and its green color as magical. He was similarly attracted to green grassy lawns and the changing colors of autumn leaves, which he saw as a symphony. These childhood experiences are also reflected in his colorful graphics. This paper presents the relationship between color and music in Ede Terényi’s compositions, and the composer’s conception of tonal aesthetics, the relationship between tonalities and colors.

Author Biography

Gabriela COCA, Babeș-Bolyai University, Faculty of Reformed Theology and Music, Music Department. E-mail: gabriela.coca.66@gmail.com; gabriela.coca@ubbcluj.ro

Gabriela COCA, (b. 1966), Ph. D. Habil., Musicologist, University Professor at the Babeș-Bolyai University of Cluj-Napoca, where she teaches musical forms, harmony, and the harmony evolution in the music of the 20th century, at the Music Department of the Faculty of Reformed Theology and Music. She is the initiator and Editor-in-chief of the musicology journal Studia UBB Musica. See: studia.ubbcluj.ro/serii/musica/index_en.html Studies: Music High School of Cluj-Napoca, piano department (1981-1985); National Music Academy “Gh. Dima” - bachelor's degree in musicology (1990-1994); National Music Academy “Gh. Dima” - advanced studies (1994-1995); National Music Academy “Gh. Dima” - doctorate in music (2000), with thesis: Architectural conception of the sound process in Richard Wagner's opera “Lohengrin”; Habilitation (2021).  Creative activity in the field of musicology - monographs, courses, studies, analyses. See: https://ubbcluj.academia.edu/GabrielaCoca

References

Balázs, Sándor. Öt érzék és a lélek harmóniája. Terényi Ede zeneszerzővel Balázs Sándor beszélget. (Five senses and harmony of the soul. Sándor Balázs talks to composer Ede Terényi). In https://hitelfolyoirat.hu/sites/default/files/pdf/08-terenyi.pdf

Coca, Gabriela. Beszélgetés Ede Terényivel, Kolozsvár, 1992.05.22.

Coca, Gabriela. Ede Terényi. History and analysis. Cluj University Press, Cluj-Napoca, 2010.

Terényi, Ede. Zeném – Életem. Gondolatok – arcképek – emlékek. Életrajz I. (My Music - My Life. Reflections - Portraits - Memories. Biography I), Grafycolor Studió, Cluj-Napoca, 2020.

https://ede-terenyi-sheet-music.webnode.hu

https://ede-terenyi-sheet-music.blogspot.com

https://independent.academia.edu/EdeTerényi

https://ede-terenyi.blogspot.com

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Published

2023-12-30

How to Cite

COCA, G. (2023). The Relationship between Color and Music in the Art of Composer Ede Terényi. Studia Universitatis Babeș-Bolyai Musica, 68(2), 75–83. https://doi.org/10.24193/subbmusica.2023.2.05

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