THE ORCHESTRAL PLANE IN THE OPERA ALEXANDRU LĂPUŞNEANU BY GHEORGHE MUSTEA

Authors

  • Luminiţa GUŢANU STOIAN Faculty of Arts, Departament of Arts, Spiru Haret University, Bucharest, Romania, E-mail: luminitagutanu@yahoo.es
  • Cătălina GUŢANU Violinist, Master’s Degree of Academy of Music, Theatre and Fine Arts, Chişinau, Republic of Moldova, E-mail: cheandy9@yahoo.com

Keywords:

Bessarabian opera, Gheorghe Mustea, Alexandru Lăpuşneanu, orchestral plane, musical material.

Abstract

Essentially this study aims at emphasizing the orchestral plane in the Opera”Alexandru Lăpuşneanu” by Gheorghe Mustea. The structure of the musical material is based on the thematic contrast, having a strong folk nature. The melodics of the opera proves to be greatly inventive, as it seeks effects of tone colors that are found in its ornamental mantle. In the orchestral score, the composer uses free improvisations and heterophonic elements and he actively poliphonizes the sonorous texture.

References

***, Moldavia’s Youth, Chişinău, 6 April 1988.

Bartók, Béla, Notes on the Folk Song, “Editura pentru literatură şi artă” Publishing House, Bucharest, 1956.

Guţanu, Luminiţa, Aesthetic Trends and Developments in the 20th-century Bessarabian Opera Music, published in STUDIA UBB MUSICA, LVI, 1, 2011 (p. 59-66).

Guţanu, Luminiţa, The Choral Outline in the Opera “Alexandru Lăpuşneanu” by Gheorghe Mustea, published in STUDIA UBB MUSICA, LVII, 2, 2012 (p. 257-270).

Mustea Gheorghe, Alexandru Lăpuşneanu – Reduction for piano (manuscript), 1988.

Mustea, Gheorghe, Alexandru Lăpuşneanu – score (manuscript), 1988.

Negruzzi, Constantin, Alexandru Lăpuşneanu, Editura pentru literatură, Bucureşti, 1969.

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Published

2016-06-30

How to Cite

GUŢANU STOIAN, L., & GUŢANU, C. (2016). THE ORCHESTRAL PLANE IN THE OPERA ALEXANDRU LĂPUŞNEANU BY GHEORGHE MUSTEA. Studia Universitatis Babeș-Bolyai Musica, 61(1), 257–264. Retrieved from https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/5135

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