THE TEXTS OF PSALMS OF DAVID IN CLASSICAL MUSICAL CREATIONS
DOI:
https://doi.org/10.24193/subbmusica.2018.1.18Keywords:
classical, psalms, religious, hermeneutics.Abstract
The classical period composers have lived the religious feeling just like their predecessors and successors, with all social and cultural changes that took place over the time. The religious feeling expressed through the texts of Psalms is a leitmotif in the universal musical history. In this paper I will talk about the musical pieces that have religious texts; the spiritual universe suggested by the composers lead to the human-religious face of the art – statement for the need of a hermeneutic approach in the music analysis. The cosmos given by the creators through art can be accessed only through a contextual understanding of the masterpieces, the Psalms of David being a guideline in the historic-comparative journey proposed by this paper.References
Bird, Daniel Floyd, A study of Mozart's "Vesperae de Dominica" (K.321) and "Vesperae solennes de confessore" (K.339), University of Southern California, Los Angeles, 1974.
Brown, Bruce Alan, Gluck, Christoph Willibald, Ritter von, Grove Music Online, Edited by Deane Root, accessed 15 January 2018, http://www.oxfordmusiconline.com
Einstein, Alfred, Mozart: His Character, His Work, Oxford University Press, New York, 1945, p.78.
Geiringer, Karl, Mozart's Church Music, Oxford University Press, London, 1956, p. 365.
Heartz, Daniel - Brown, Bruce Alan, Classical, Grove Music Online, Edited by Deane Root, accessed 15 January 2018, http://www.oxfordmusiconline.com
Howard, Patricia, Christoph Willibald Gluck: A Guide to Research, Routledge, New York, 2003.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2018 Studia Universitatis Babeș-Bolyai Musica
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.