ARMENIAN MUSIC IN TRANSYLVANIA – THE MUSICAL HERITAGE OF THE CANTOR BÁLINT ÁKOS

Authors

  • Ágota BODURIAN PhD student, Transylvania University of Braşov, Faculty of Music. E-mail: agota.bodurian@yahoo.com

DOI:

https://doi.org/10.24193/subbmusica.2020.2.14

Keywords:

Armenian, Transylvania, Bálint Ákos, liturgical music, sharakan.

Abstract

The author of this study is deeply preoccupied with the culture and music of an ethnic group in Transylvania that us on its way to extinction: Armenians. During our research in documenting the archives and libraries of the Armenian-Catholic parishes in the area, some materials of special value were discovered that had not yet been catalogued, representing proof of an effervescent musical life, demonstrating a rich liturgical activity, a religious life experienced deeply, in which music constituted an indispensable part of the life of the Armenian community in Gheorgheni. At the same time, these musical materials remind us about the close-knit relationships among various Armenian communities in Transylvania (Gherla, Gheorgheni, Frumoasa, and Dumbrăveni), and about the mutual influences between the ethnic cultures that coexist within the Transylvanian communities: Romanian, Hungarians, and Armenians.

References

Historia Domus, Biserica Armeană din Gheorgheni (Armenian Church in Gheorgheni), volume 1772-1931.

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Published

2020-12-21

How to Cite

BODURIAN, Ágota. (2020). ARMENIAN MUSIC IN TRANSYLVANIA – THE MUSICAL HERITAGE OF THE CANTOR BÁLINT ÁKOS. Studia Universitatis Babeș-Bolyai Musica, 65(2), 225–236. https://doi.org/10.24193/subbmusica.2020.2.14

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