Dramatic Space and Performer’s Body, a Case Study

Authors

  • Marina CRISTEA Babeș-Bolyai University, Faculty of Theatre and Television, e-mail: marinabaumgarten@gmail.com

Keywords:

performer’s body, degree of presence, subjective reality displacement, field of perception, mixed media performance, media oriented design

Abstract

Mediated images alter the perception of the real, then again, they emphasize themselves in a dynamic manner arising critical attitude, for they compel the spectator to consider all the images entering his/her visual field, and to integrate them into his/her own reference system. As recorded images offer the possibility of simultaneous representation of parts of actors’ bodies, an interaction between virtual images and real / optical images occurs, interaction which, whether demonstrates itself compulsory, acquires a powerful dramatic finality, since the existence of a viable relation between the stage images, either virtual or real, is a sine qua non dramatic condition.

Author Biography

Marina CRISTEA, Babeș-Bolyai University, Faculty of Theatre and Television, e-mail: marinabaumgarten@gmail.com

MARINA CRISTEA is an Accademia di Belle Arti in Rome (Scenography) graduate. She holds a BA in Classical Philology and is a PhD candidate in Theatre Studies, “Babeş-Bolyai” University Cluj-Napoca, with a research theme in History of Ancient Theatrical Performance (Greek tragedy). She is a freelance visual artist.

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Published

2015-10-30

How to Cite

CRISTEA, M. (2015). Dramatic Space and Performer’s Body, a Case Study. Studia Universitatis Babeș-Bolyai Dramatica, 65(2), 189–198. Retrieved from https://studia.reviste.ubbcluj.ro/index.php/subbdramatica/article/view/4469

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Articles

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