Alexandru Davila – The Project as Work of Art. The Father Complex

Authors

  • Florin FAIFER Professor at the University of Iași

DOI:

https://doi.org/10.24193/subbdrama.2018.1.08

Keywords:

Alexandru Davila, Vlaicu Vodă, the National Theatre in Bucharest, Romanian theatre

Abstract

Taking as a central focus the complex figure of the famous Romanian playwright Alexandru Davila, this paper follows the line of his life and career, from his aristocratic origins to his family relations and from his revolutionary activity as an intransigent theatre director to the plays and literature he wrote. A special accent is put on his best text, Vlaicu Vodă [Prince Vlaicu] a historical play, classical in its construction but very modern due to the psychological refinement manifested by the protagonist, as well as from his doubly meaningful physiognomy – he was a voivode in times of dark adversity, but also, from an archetypal perspective, a tragic hero of certain historic immutabilities. Forced to act prudently under the threat of a catastrophic failure, Vlaicu capitalized, in a refined manner, the experience of the Romanian people itself, which had become accustomed, due to the hardships of history, to keep silent and endure in expectation of an occasion appropriate for action.

Author Biography

Florin FAIFER, Professor at the University of Iași

FLORIN FAIFER is a Professor and historian of Romanian literature and theatre. He is the author of many books, among which: Incursiuni în istoria literaturii dramatice româneşti – Regăsiri [Incursions in the History of Romanian Dramatic Literature - Recoveries], Iaşi, Editura Universitas XXI, 2008; Incursiuni în istoria teatrului universal (de la origini până în Renaştere). Theatrum mundi [Incursions in the History of World Theatre (from the origins to the Renaissance). Theatrum mundi], Iaşi, Editura Timpul, 2010; Incursiuni în istoria criticii dramatice româneşti. Zodia balanţei [Incursions in the History of Romanian Theatre Criticism. The Libra Zodiac Sign], Iaşi, Editura Timpul, 2010.

References

BADESCU, Marin Manu. editor. Alexandru Davila si teatrul. Bucuresti: Editura Unitext, 1996.

CIOPRAGA, Constantin. Literatura romana intre 1900 si 1918. Iasi: Editura Junimea, 1970, 603-11.

DAVILA, Alexandru. Vlaicu Vodă și alte scrieri despre teatru. Edited by D. D. Panaitescu and Marian Popa. București: Editura Albatros, 1975.

DUMITRESCU, Suzana-Carmen, editor. Alexandru Davila interpretat de…. Bucuresti: Editura Eminescu, 1982.

LOVINESCU, Eugen. Scrieri. Volume VI. Edited by Eugen Simion. Bucuresti: Editura Minerva, 1975, 85-6, 108-10, 301-4.

MICU, Dumitru. Inceput de secol: 1900-1916: Curente si scriitori. Bucuresti: Editura Minerva, 1970, pp. 532-9.

POPA, Marian. Forma ca deformare. Bucuresti: Editura Eminescu, 1975, 69-83.

VASILIU, Mihai. Al. Davila. Bucuresti: Editura Academiei, 1965.

ZACIU, Mircea. Bivuac. Cluj: Editura Dacia, 1974, 98-107.

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Published

2018-03-30

How to Cite

FAIFER, F. (2018). Alexandru Davila – The Project as Work of Art. The Father Complex. Studia Universitatis Babeș-Bolyai Dramatica, 63(1), 163–176. https://doi.org/10.24193/subbdrama.2018.1.08

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Articles

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