Performing Archives: Documentary Theatre, Transition and Adaptation to a New Lifestyle in Romanian Society

Authors

  • Alexandra FELSEGHI Faculty of Theatre and Film, Babeș-Bolyai University, Cluj-Napoca, Romania; e-mail: alexandra.felseghi@ubbcluj.ro

Keywords:

documentary theatre, archives, transition, recent history, non-Aristotelian theatre, independent theatre, consumerism, society.

Abstract

The change of political regimes and the long period of transition that followed afterwards brought dramatic, even tragic shifts in common people’s lives, who were born and raised in the Eastern Bloc. These experiences, which were strikingly common in Eastern European countries, have left significant marks in nowadays society, which historians and artists alike are trying to analyze and explain to their audiences, in a personal and accessible form. This article aims to analyze the manners in which recent history themes, like the period of transition, economy and the essential lifestyle changes which came as a consequence, are researched and handled in Romanian documentary theatre. As follows, two theatre productions of this kind will be presented. They were considered to be a real success in the independent theatre scene in the past five years and their specificity is the shared socio-political context between stage and audience.

Author Biography

Alexandra FELSEGHI, Faculty of Theatre and Film, Babeș-Bolyai University, Cluj-Napoca, Romania; e-mail: alexandra.felseghi@ubbcluj.ro

Alexandra FELSEGHI is a playwright, theatre director and researcher. In 2017 she received a PhD in Theatre and Performing Arts, at Babeș-Bolyai University from Cluj-Napoca. The subject of her doctoral thesis is focused in studying the artistic techniques that are used within independent theatre companies – a field in which she professionally experiments since the end of her MA studies. With ten years of artistic experience in the independent cultural sector, Alexandra Felseghi is the author of a large number of performances, including: Verde tăiat/Severed Green produced by Pro Teatru Association (2020), Fabrici și Uzine/Factories and Plants, postindustrial documentary theatre, produced by Center of Modernity and Rural World Studies (2019), 3 Milioane/3 Million, documentary theatre produced by Create.Act.Enjoy (2018). Since 2019 she is a teaching assistant at Theatre Department at Faculty of Theatre and Film, Cluj-Napoca.

References

Aleksievici, Svetlana. Vremuri second-hand (English title: Secondhand Times: The last of the Soviets), București: Editura Humanitas, 2017

Belfield, Robin. Telling the truth. How to make Verbatim theatre. London: Nick Hern Books, 2018

Boal, Augusto. Theatre of the Oppressed. London: Pluto Press, 2000

Browder, Bill. Alertă roșie. Cum am devenit inamicul numărul unu al lui Putin. București: Editura Humanitas, 2018

Fuchs, Elinor. The death of character: perspectives on theatre after Modernism. USA: Indiana University Press, 1996

Kuhn, Tom. Steve Giles.Marc Silbermann (edit.). Brecht on performance. UK: Bloomsbury, 2014

Murgescu, Bogdan. România și Europa. Acumularea decalajelor economice (1500-2010). București: Editura Polirom, Seria Historia, 2010

Pasti, Vladimir. Noul capitalism românesc. Iași: Editura Polirom, 2006

Reactor de Creație și Experiment. Miracolul de la Cluj și M.I.S.A.PĂRUT. Cluj-Napoca: Editura Idea Design&Print, colecția Istorie recentă și spectacol, 2019

Tonitza-Iordache, Michaela. George Banu (edit.) Arta teatrului. Traducere de Delia Voicu. București: Editura Nemira, 2004

Verdery, Katherine. “Faith, Hope, and Caritas în the land of the Pyramids”.Comparative Studies în Society and History. Vol.37, no.4 (Oct., 1995), pp.625-669. Published by: Cambridge University Press

Felseghi, Alexandra, „Teatrul documentar și relația lui cu istoria trăită”. Anuarul Institutului de Istorie „George Barițiu”, Series Historica. LIX/2020, pp. 663-669

The creative collectives of the two shows presented in the article:

Fabrici și Uzine/Factories and Plants, a production of The Center for The Study of Modernity and the Rural World in partnership with Museum of History and Art, Zalău, 2019

Production co-financed by Administration of Cultural National Fund (AFCN)

Dramaturgy: Alexandra Felseghi

Direction: Adina Lazăr

Scenography: Silviu Medeșan

Cast: Ioana Chițu, Simina Seliștean, Emanuel Cifor, Lucian Teodor Rus

Research consultants: Bianca Felseghi, Valer Simion Cosma

Poster: Paul Mureșan

Miracolul de la Cluj/Miracle of Cluj, a production of Reactor de Creație și Experiment/ Reactor of Creation and Experiment, within the programe Exercises of Democracy. Investigation of recent history, 2017

Co-financed by AFCN

Dramaturgy: Petro Ionescu

Direction: David Schwartz

Scenography: Anda Pop

Video: Daniel Răduțu

Cast: Oana Mardare, Lucia Mărneanu, Denisse Moise, Doru Taloș

Research assistant: Silvia Netedu

Illustrations: Lucia Mărneanu

Live music: Krisztina Sipos

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Published

2022-10-06

How to Cite

FELSEGHI, A. (2022). Performing Archives: Documentary Theatre, Transition and Adaptation to a New Lifestyle in Romanian Society. Studia Universitatis Babeș-Bolyai Dramatica, 66(2). Retrieved from https://studia.reviste.ubbcluj.ro/index.php/subbdramatica/article/view/1127

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