THE SOUND CONCEPT OF HOPE IN UKRAINIAN CONTEMPORARY BALLET
DOI:
https://doi.org/10.24193/subbmusica.2025.spiss4.09Keywords:
contemporary Ukrainian music, ballet genre, ballet music, soundscape of war, hope in musicAbstract
The concept of hope holds profound significance in Ukrainian musical art, particularly within the contemporary ballet works of modern Ukrainian composers such as Viktor Rekalo, Ivan Nebesnyi and Ivan Harkusha. Amidst the backdrop of a nation shaped by a complex contemporary narrative and ongoing socio-political and historical challenges, these composers infuse their ballet music with themes of resilience, aspiration, and hope. This research explores how hope is conveyed through musical structures, sound effects, thematic motifs, and emotional expression within a selection of contemporary ballet scores. The study delves into the intricate relationship between music and choreography, analyzing how these elements harmonize to evoke a sense of hope in the audience. Moreover, it discusses the broader cultural and historical significance of hope in Ukrainian society, emphasizing how these composers contribute to the shaping of national identity and collective memory. By illuminating the distinctive ways in which modern Ukrainian ballet serves as both an artistic expression and a form of cultural commentary, this research offers valuable insight into the power of music to inspire hope in the face of adversity.
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