The Possibilities of Utilizing Social Media and Online Platforms in Music Education

Authors

  • Fanni PAPES-VALACH PhD student, Doctoral School of Education, ELTE Eötvös Loránd University, Budapest, Hungary. Assistant Lecturer, Department of Music Education, University of Szeged, Szeged, Hungary. E-mail: papes-valach.fanni@szte.hu https://orcid.org/0009-0009-5357-9689
  • Andrea ASZTALOS PhD, Associate Professor, Head of the Department of Music Education, University of Szeged, Szeged, Hungary. E-mail: asztalos.andrea@szte.hu https://orcid.org/0000-0002-7584-3294

DOI:

https://doi.org/10.24193/subbmusica.2025.1.07

Keywords:

social media, music education, digital generation

Abstract

The digital native generations have unique media consumption and learning behaviours shaped by their daily exposure to technology. The social media platforms, in particular Instagram, TikTok and YouTube, are key channels through which younger users can discover music and access some educational content. These platforms can not only be used for entertainment, but can also provide opportunities for informal and formal music education. Classical music is frequently featured in memes and viral trends, increasing its accessibility and relevance for younger audiences. Particularly, certain elements of social media platforms are particularly effective in integrating music education through visual and interactive content. Through customised, interactive lessons, educators can harness learners’ knowledge of digital tools to deepen musical knowledge and stimulate interest, as well as increase motivation and promote inclusion. Age-appropriate and socially relevant tasks can bridge the generation gap in education. To be inclusive and effective in music education, it is essential that teaching methods are adapted to evolving digital habits.

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Published

2025-06-30

How to Cite

PAPES-VALACH, F., & ASZTALOS, A. (2025). The Possibilities of Utilizing Social Media and Online Platforms in Music Education. Studia Universitatis Babeş-Bolyai Musica, 70(1), 115–126. https://doi.org/10.24193/subbmusica.2025.1.07

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