THE MODERNITY OF AUREL STROE’S CONCERTANTE SPIRITUALITY
Keywords:
modernity, music, contemporaryAbstract
The last three concerts composed by Aurel Stroe are a further proof of his compositional maturity. The fact that they belong to the last period of his life proves that the three concerts are a round up specific to the climax of a career, which leads to spiritual dimensions difficult to be assimilated.
References
Dănceanu, L., Eseuri implosive (Implosion Essays), Ed. Muzicală, Bucharest, 1998
Goethe, J. W., Maxime şi reflecţii (Judgements and Reflections), Ed. Univers, Bucharest, 1972
Noica, C., Jurnal de idei (Diary of ideas), Ed. Humanitas, Buc., 1991
Patapievici, H. R., Omul recent (The recent Man), Ed. Humanitas, Buc., 2001.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2010 Studia Universitatis Babeș-Bolyai Musica
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
